Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
The disproportion between the wreck of his faith and the conversation that
he had just had with Leonard was too great: it was obvious that the
conversation had no more brought it about than that the boisterousness of
Amalia's gabble and the pettiness of the people with whom he lived were not
the cause of the upheaval which for some days had been taking place in his
moral resolutions. These were only pretexts. The uneasiness had not come
from without. It was within himself. He felt stirring in his heart
monstrous and unknown things, and he dared not rely on his thoughts to face
the evil. The evil? Was it evil? A languor, an intoxication, a voluptuous
agony filled all his being. He was no longer master of himself. In vain he
sought to fortify himself with his former stoicism. His whole being crashed
down. He had a sudden consciousness of the vast world, burning, wild, a
world immeasurable.... How it swallows up God!
Only for a moment. But the whole balance of his old life was in that moment
destroyed.
* * * * *
There was only one person in the family to whom Christophe paid no
attention: this was little Rosa. She was not beautiful: and Christophe, who
was far from beautiful himself, was very exacting of beauty in others. He
had that calm, cruelty of youth, for which a woman does not exist if she be
ugly,--unless she has passed the age for inspiring tenderness, and there is
then no need to feel for her anything but grave, peaceful, and
quasi-religious sentiments. Rosa also was not distinguished by any especial
gift, although she was not without intelligence: and she was cursed with a
chattering tongue which drove Christophe from her. And he had never taken
the trouble to know her, thinking that there was in her nothing to know;
and the most he ever did was to glance at her.
Public-domain text, read in full here on John Shaqi.
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