Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
But there were other faults against which she was powerless: what could she
do against her plainness? There was no doubt about it. The certainty of her
misfortune had suddenly been revealed to her one day when she was looking
at herself in the mirror; it came like a thunderclap. Of course she
exaggerated the evil, and saw her nose as ten times larger than it was; it
seemed to her to fill all her face; she dared not show herself; she wished
to die. But there is in youth such a power of hope that these fits of
discouragement never lasted long: she would end by pretending that she had
been mistaken; she would try to believe it, and for a moment or two would
actually succeed in thinking her nose quite ordinary and almost shapely.
Her instinct made her attempt, though very clumsily, certain childish
tricks, a way of doing her hair so as not so much to show her forehead and
so accentuate the disproportion of her face. And yet, there was no coquetry
in her; no thought of love had crossed her mind, or she was unconscious of
it. She asked little: nothing but a little friendship: but Christophe did
not show any inclination to give her that little. It seemed to Rosa that
she would have been perfectly happy had he only condescended to say
good-day when they met. A friendly good-evening with a little kindness. But
Christophe usually looked so hard and so cold! It chilled her. He never
said anything disagreeable to her, but she would rather have had cruel
reproaches than such cruel silence.
Public-domain text, read in full here on John Shaqi.
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