Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
In the evening when Christophe came home, Louisa, grateful for Rosa's
attentions, and in pursuance of the little plan she had made, always
praised the girl to the skies. Christophe was touched by Rosa's kindness.
He saw how much good she was doing his mother, in whose face there was more
serenity: and he would thank her effusively. Rosa would murmur, and escape
to conceal her embarrassment: so she appeared a thousand times more
intelligent and sympathetic to Christophe than if she had spoken. He looked
at her less with a prejudiced eye, and did not conceal his surprise at
finding unsuspected qualities in her. Rosa saw that; she marked the
progress that she made in his sympathy and thought that his sympathy would
lead to love. She gave herself up more than ever to her dreams. She came
near to believing with the beautiful presumption of youth that what you
desire with all your being is always accomplished in the end. Besides, how
was her desire unreasonable? Should not Christophe have been more sensible
than any other of her goodness and her affectionate need of self-devotion?
But Christophe gave no thought to her. He esteemed her; but she filled no
room in his thoughts. He was busied with far other things at the moment.
Christophe was no longer Christophe. He did not know himself. He was in a
mighty travail that was like to sweep everything away, a complete upheaval.
* * * * *
Christophe was conscious of extreme weariness and great uneasiness. He was
for no reason worn out; his head was heavy, his eyes, his ears, all his
senses were dumb and throbbing. He could not give his attention to
anything. His mind leaped from one subject to another, and was in a fever
that sucked him dry. The perpetual fluttering of images in his mind made
him giddy. At first he attributed it to fatigue and the enervation of the
first days of spring. But spring passed and his sickness only grew worse.
It was what the poets who only touch lightly on things call the unease of
adolescence, the trouble of the cherubim, the waking of the desire of love
in the young body and soul. As if the fearful crisis of all a man's being,
breaking up, dying, and coming to full rebirth, as if the cataclysm in
which everything, faith, thought, action, all life, seems like to be
blotted out, and then to be new-forged in the convulsions of sorrow and
joy, can be reduced to terms of a child's folly!
Public-domain text, read in full here on John Shaqi.
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