Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
she was the more sorry because she drew down on herself such cruel replies
as showed how much Christophe was in love. He did not mince matters. Hurt
in his love, he tried to hurt in return: and succeeded. Rosa would make no
reply and go out with her head bowed, and her lips tight pressed to keep
from crying. She thought that it was her own fault, that she deserved it
for having hurt Christophe by attacking the object of his love.
Her mother was less patient. Frau Vogel, who saw everything, and old Euler,
also, had not been slow to notice Christophe's interviews with their young
neighbor: it was not difficult to guess their romance. Their secret
projects of one day marrying Rosa to Christophe were set at naught by it:
and that seemed to them a personal affront of Christophe, although he was
not supposed to know that they had disposed of him without consulting his
wishes. But Amalia's despotism did not admit of ideas contrary to her own:
and it seemed scandalous to her that Christophe should have disregarded the
contemptuous opinion she had often expressed of Sabine.
She did not hesitate to repeat it for his benefit. Whenever he was present
she found some excuse for talking about her neighbor: she cast about for
the most injurious things to say of her, things which might sting
Christophe most cruelly: and with the crudity of her point of view and
language she had no difficulty in finding them. The ferocious instinct of a
woman, so superior to that of a man in the art of doing evil, as well as of
doing good, made her insist less on Sabine's laziness and moral failings
than on her uncleanliness. Her indiscreet and prying eye had watched
through the window for proofs of it in the secret processes of Sabine's
toilet: and she exposed them with coarse complacency. When from decency she
could not say everything she left the more to be understood.
Christophe would go pale with shame and anger: he would go white as a sheet
and his lips would quiver. Rosa, foreseeing what must happen, would implore
her mother to have done: she would even try to defend Sabine. But she only
succeeded in making Amalia more aggressive.
And suddenly Christophe would leap from his chair. He would thump on the
table and begin to shout that it was monstrous to speak of a woman, to spy
upon her, to expose her misfortunes; only an evil mind could so persecute a
creature who was good, charming, quiet, keeping herself to herself, and
doing no harm to anybody, and speaking no ill of anybody. But they were
making a great mistake if they thought they could do her harm; they only
made him more sympathetic and made her kindness shine forth only the more
clearly.
Public-domain text, read in full here on John Shaqi.
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