Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
In his pocket he felt a little parcel wrapped up in soft paper: they were
silver buckles that he had brought her for her shoes. He remembered the
evening when he had placed his hand on the little stockinged foot. Her
little feet: where were they now? How cold they must be!... He thought the
memory of that warm contact was the only one that he had of the beloved
creature. He had never dared to touch her, to take her in his arms, to hold
her to his breast. She was gone forever, and he had never known her. He
knew nothing of her, neither soul nor body. He had no memory of her body,
of her life, of her love.... Her love?... What proof had he of that?... He
had not even a letter, a token,--nothing. Where could he seek to hold her,
in himself, or outside himself?... Oh! Nothing! There was nothing left him
but the love he had for her, nothing left him but himself.--And in spite
of all, his desperate desire to snatch her from destruction, his need of
denying death, made him cling to the last piece of wreckage, in an act of
blind faith:
"... _he son gia morto: e ben, c'albergo cangi resto in te vivo. C'or mi
vedi e piangi, se l'un nell' altro amante si trasforma_."
"... I am not dead: I have changed my dwelling. I live still in thee who
art faithful to me. The soul of the beloved is merged in the soul of the
lover."
He had never read these sublime words: but they were in him. Each one of us
in turn climbs the Calvary of the age. Each one of us finds anew the agony,
each one of us finds anew the desperate hope and folly of the ages. Each
one of us follows in the footsteps of those who were, of those before us
who struggled with death, denied death--and are dead.
* * * * *
He shut himself up in his room. His shutters were closed all day so as not
to see the windows of the house opposite. He avoided the Vogels: they were
odious to his sight. He had nothing to reproach them with: they were too
honest, and too pious not to have thrust back their feelings in the face of
death. They knew Christophe's grief and respected it, whatever they might
think of it: they never uttered Sabine's name in his presence. But they had
been her enemies when she was alive: that was enough to make him their
enemy now that she was dead.
Public-domain text, read in full here on John Shaqi.
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