Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
He spoke these words because already she was escaping him: she was slipping
from his thoughts like water through his fingers. He would return again and
again, faithful to the tryst. He wished to think of her and he would close
his eyes. But after half an hour, or an hour, or sometimes two hours, he
would begin to see that he had been thinking of nothing. The sounds of the
valley, the roar of the wind, the little bells of the two goats browsing on
the hill, the noise of the wind in the little slender trees under which he
lay, were sucked up by his thoughts soft and porous like a sponge. He was
angry with his thoughts: they tried to obey him, and to fix the vanished
image to which he was striving to attach his life: but his thoughts fell
back weary and chastened and once more with a sigh of comfort abandoned
themselves to the listless stream of sensations.
He shook off his torpor. He strode through the country hither and thither
seeking Sabine. He sought her in the mirror that once had held her smile.
He sought her by the river bank where her hands had dipped in the water.
But the mirror and the water gave him only the reflection of himself. The
excitement of walking, the fresh air, the beating of his own healthy blood
awoke music in him once more. He wished to find change.
"Oh! Sabine!..." he sighed.
He dedicated his songs to her: he strove to call her to life in his music,
his love, and his sorrow.... In vain: love and sorrow came to life surely:
but poor Sabine had no share in them. Love and sorrow looked towards the
future, not towards the past. Christophe was powerless against his youth.
The sap of life swelled up again in him with new vigor. His grief, his
regrets, his chaste and ardent love, his baffled desires, heightened the
fever that was in him. In spite of his sorrow, his heart beat in lively,
sturdy rhythm: wild songs leaped forth in mad, intoxicated strains:
everything in him hymned life and even sadness took on a festival shape.
Christophe was too frank to persist in self-deception: and he despised
himself. But life swept him headlong: and in his sadness, with death in his
heart, and life in all his limbs, he abandoned himself to the forces
newborn in him, to the absurd, delicious joy of living, which grief, pity,
despair, the aching wound of an irreparable loss, all the torment of death,
can only sharpen and kindle into being in the strong, as they rowel their
sides with furious spur.
Public-domain text, read in full here on John Shaqi.
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