Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
The day after their first meeting it was known all over the town. Ada made
no attempt to cover up the adventure, and rather plumed herself on her
conquest. Christophe would have liked more discretion: but he felt that the
curiosity of the people was upon him: and as he did not wish to seem to fly
from it, he threw in his lot with Ada. The little town buzzed with tattle.
Christophe's colleagues in the orchestra paid him sly compliments to which
he did not reply, because he would not allow any meddling with his affairs.
The respectable people of the town judged his conduct very severely. He
lost his music lessons with certain families. With others, the mothers
thought that they must now be present at the daughters' lessons, watching
with suspicious eyes, as though Christophe were intending to carry off the
precious darlings. The young ladies were supposed to know nothing.
Naturally they knew everything: and while they were cold towards Christophe
for his lack of taste, they were longing to have further details. It was
only among the small tradespeople, and the shop people, that Christophe was
popular: but not for long: he was just as annoyed by their approval as by
the condemnation of the rest: and being unable to do anything against that
condemnation, he took steps not to keep their approval: there was no
difficulty about that. He was furious with the general indiscretion.
The most indignant of all with him were Justus Euler and the Vogels. They
took Christophe's misconduct as a personal outrage. They had not made any
serious plans concerning him: they distrusted--especially Frau Vogel--these
artistic temperaments. But as they were naturally discontented and always
inclined to think themselves persecuted by fate, they persuaded themselves
that they had counted on the marriage of Christophe and Rosa; as soon as
they were quite certain that such a marriage would never come to pass, they
saw in it the mark of the usual ill luck. Logically, if fate were
responsible for their miscalculation, Christophe could not be: but the
Vogels' logic was that which gave them the greatest opportunity for finding
reasons for being sorry for themselves. So they decided that if Christophe
had misconducted himself it was not so much for his own pleasure as to give
offense to them. They were scandalized. Very religious, moral, and oozing
domestic virtue, they were of those to whom the sins of the flesh are the
most shameful, the most serious, almost the only sins, because they are the
only dreadful sins--(it is obvious that respectable people are never likely
to be tempted to steal or murder).--And so Christophe seemed to them
absolutely wicked, and they changed their demeanor towards him. They were
icy towards him and turned away as they passed him. Christophe, who was in
no particular need of their conversation, shrugged his shoulders at all the
fuss. He pretended not to notice Amalia's insolence: who, while she
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