Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
He recovered: but had a long convalescence. The doctor declared that his
health, which he had abused, needed to be fostered. So he stayed on in his
mother's house, sharing Christophe's bed, eating heartily the bread that
his brother earned, and the little dainty dishes that Louisa prepared, for
him. He never spoke of going. Louisa and Christophe never mentioned it
either. They were too happy to have found again the son and the brother
they loved.
Little by little in the long evenings that he spent with Ernest Christophe
began to talk intimately to him. He needed to confide in somebody. Ernest
was clever: he had a quick mind and understood--or seemed to understand--on
a hint only. There was pleasure in talking to him. And yet Christophe dared
not tell him about what lay nearest to his heart: his love. He was kept
back by a sort of modesty. Ernest, who knew all about it, never let it
appear that he knew.
One day when Ernest was quite well again he went in the sunny afternoon and
lounged along the Rhine. As he passed a noisy inn a little way out of the
town, where there were drinking and dancing on Sundays, he saw Christophe
sitting with Ada and Myrrha, who were making a great noise. Christophe saw
him too, and blushed. Ernest was discreet and passed on without
acknowledging him.
Christophe was much embarrassed by the encounter: it made him more keenly
conscious of the company in which he was: it hurt him that his brother
should have seen him then: not only because it made him lose the right of
judging Ernest's conduct, but because he had a very lofty, very naïve, and
rather archaic notion of his duties as an elder brother which would have
seemed absurd to many people: he thought that in failing in that duty, as
he was doing, he was lowered in his own eyes.
Public-domain text, read in full here on John Shaqi.
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