Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
Ada waited two days for Christophe to return to her. Then she began to be
anxious, and sent him a tender note in which she made no allusion to what
had happened. Christophe did not even reply. He hated Ada so profoundly
that no words could express his hatred. He had cut her out of his life. She
no longer existed for him.
* * * * *
Christophe was free of Ada, but he was not free of himself. In vain did
he try to return into illusion and to take up again the calm and chaste
strength of the past. We cannot return to the past. We have to go onward:
it is useless to turn back, save only to see the places by which we have
passed, the distant smoke from the roofs under which we have slept, dying
away on the horizon in the mists of memory. But nothing so distances us
from the soul that we had as a few months of passion. The road takes
a sudden turn: the country is changed: it is as though we were saying
good-bye for the last time to all that we are leaving behind.
Christophe could not yield to it. He held out his arms to the past: he
strove desperately to bring to life again the soul that had been his,
lonely and resigned. But it was gone. Passion itself is not so dangerous as
the ruins that it heaps up and leaves behind. In vain did Christophe not
love, in vain--for a moment--did he despise love: he bore the marks of its
talons: his whole being was steeped in it: there was in his heart a void
which must be filled. With that terrible need of tenderness and pleasure
which devours men and women when they have once tasted it, some other
passion was needed, were it only the contrary passion, the passion of
contempt, of proud purity, of faith in virtue.--They were not enough, they
were not enough to stay his hunger: they were only the food of a moment.
His life consisted of a succession of violent reactions--leaps from
one extreme to the other. Sometimes he would bend his passion to rules
inhumanly ascetic: not eating, drinking water, wearing himself out with
walking, heavy tasks, and so not sleeping, denying himself every sort of
pleasure. Sometimes he would persuade himself that strength is the true
morality for people like himself: and he would plunge into the quest of
joy. In either case he was unhappy. He could no longer be alone. He could
no longer not be alone.
Public-domain text, read in full here on John Shaqi.
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