Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
In his state of upheaval Christophe found some distraction in talking
to Friedemann. He judged him, he could not long take pleasure in this
vulgar bantering wit: his mockery and perpetual denial became irritating
before long and he felt the impotence of it all: but it did soothe his
exasperation with the self-sufficient stupidity of the Philistines. While
he heartily despised his companion, Christophe could not do without him.
They were continually seen together sitting with the unclassed and doubtful
people of Friedemann's acquaintance, who were even more worthless than
himself. They used to play, and harangue, and drink the whole evening.
Christophe would suddenly wake up in the midst of the dreadful smell of
food and tobacco: he would look at the people about him with strange eyes:
he would not recognize them: he would think in agony:
"Where am I? Who are these people? What have I to do with them?"
Their remarks and their laughter would make him sick. But he could not
bring himself to leave them: he was afraid of going home and of being left
alone face to face with his soul, his desires, and remorse. He was going to
the dogs: he knew it: he was doing it deliberately,--with cruel clarity he
saw in Friedemann the degraded image of what he was--of what he would be
one day: and he was passing through a phase of such disheartenedness and
disgust that instead of being brought to himself by such a menace, it
actually brought him low.
He would have gone to the dogs, if he could. Fortunately, like all
creatures of his kind, he had a spring, a succor against destruction which
others do not possess: his strength, his instinct for life, his instinct
against letting himself perish, an instinct more intelligent than his
intelligence, and stronger than his will. And also, unknown to himself,
he had the strange curiosity of the artist, that passionate, impersonal
quality, which is in every creature really endowed with creative power. In
vain did he love, suffer, give himself utterly to all his passions: he saw
them. They were in him but they were not himself. A myriad of little souls
moved obscurely in him towards a fixed point unknown, yet certain, just
like the planetary worlds which are drawn through space into a mysterious
abyss. That perpetual state of unconscious action and reaction was shown
especially in those giddy moments when sleep came over his daily life, and
from the depths of sleep and the night rose the multiform face of Being
with its sphinx-like gaze. For a year Christophe had been obsessed with
dreams in which in a second of time he felt clearly with perfect illusion
that he _was_ at one and the same time several different creatures, often
far removed from each other by countries, worlds, centuries. In his waking
state Christophe was still under his hallucination and uneasiness, though
he could not remember what had caused it. It was like the weariness left by
some fixed idea that is gone, though traces of it are left and there is no
Public-domain text, read in full here on John Shaqi.
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