Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
From that time on he could begin to read other works, other masters, who
were dear to him, only with a fluttering heart.... Alas! There was some
spell cast upon him: always there was the same discomfiture. With some of
them his heart was rent: it was as though he had lost a dear friend, as if
he had suddenly seen that a friend in whom he had reposed entire confidence
had been deceiving him for years. He wept for it. He did not sleep at
night: he could not escape his torment. He blamed himself: perhaps he had
lost his judgment? Perhaps he had become altogether an idiot?--No, no. More
than ever he saw the radiant beauty of the day and with more freshness and
love than ever he felt the generous abundance of life: his heart was not
deceiving him....
But for a long time he dared not approach those who were the best for him,
the purest, the Holy of Holies. He trembled at the thought of bringing his
faith in them to the test. But how resist the pitiless instinct of a brave
and truthful soul, which will go on to the end, and see things as they are,
whatever suffering may be got in doing so?--So he opened the sacred works,
he called upon the last reserve, the imperial guard.... At the first glance
he saw that they were no more immaculate than the others. He had not the
courage to go on. Every now and then he stopped and closed the book: like
the son of Noah, he threw his cloak about his father's nakedness....
Then he was prostrate in the midst of all these ruins. He would rather have
lost an arm, than have tampered with his blessed illusions. In his heart he
mourned. But there was so much sap in him, so much reserve of life, that
his confidence in art was not shaken. With a young man's naïve presumption
he began life again as though no one had ever lived it before him.
Intoxicated by his new strength, he felt--not without reason, perhaps--that
with a very few exceptions there is almost no relation between living
passion and the expression which art has striven to give to it. But he was
mistaken in thinking himself more happy or more true when he expressed it.
As he was filled with passion it was easy for him to discover it at the
back of what he had written: but no one else would have recognized it
through the imperfect vocabulary with which he designated its variations.
Many artists whom he condemned were in the same case. They had had, and had
translated profound emotions: but the secret of their language had died
with them.
Public-domain text, read in full here on John Shaqi.
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