Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
And Christophe could do nothing: as soon as he heard the music he was
caught up like the others, more than the others, by the flood, and the
diabolical will of the man who had let it loose. He laughed, and he
trembled, and his cheeks burned, and he felt galloping armies rushing
through him! And he thought that those who bore such storms within
themselves might have all allowances made for them. What cries of joy
he uttered when in the hallowed works which he could not read without
trembling he felt once more his old emotion, ardent still, with nothing
to tarnish the purity of what he loved! These were glorious relics that
he saved from the wreck. What happiness they gave him! It seemed to him
that he had saved a part of himself. And was it not himself? These great
Germans, against whom he revolted, were they not his blood, his flesh, his
most precious life? He was only severe with them because he was severe with
himself. Who loved them better than he? Who felt more than he the goodness
of Schubert, the innocence of Haydn, the tenderness of Mozart, the great
heroic heart of Beethoven? Who more often than he took refuge in the
murmuring of the forests of Weber, and the cool shade of the cathedrals of
John Sebastian, raising against the gray sky of the North, above the plains
of Germany, their pile of stone, and their gigantic towers with their
sun-tipped spires?--But he suffered from their lies, and he could not
forget them. He attributed them to the race, their greatness to themselves.
He was wrong. Greatness and weaknesses belong equally to the race whose
great, shifting thought flows like the greatest river of music and poetry
at which Europe comes to drink.--And in what other people would he have
found the simple purity which now made it possible for him to condemn it so
harshly?
He had no notion of that. With the ingratitude of a spoiled child he turned
against his mother the weapons which he had received from her. Later,
later, he was to feel all that he owed to her, and how dear she was to
him....
But he was in a phase of blind reaction against all the idols of his
childhood. He was angry with himself and with them because he had believed
in them absolutely and passionately--and it was well that it was so. There
is an age in life when we must dare to be unjust, when we must make a
clean sweep of all admiration and respect got at second-hand, and deny
everything--truth and untruth--everything which we have not of ourselves
known for truth. Through education, and through everything that he sees and
hears about him, a child absorbs so many lies and blind follies mixed with
the essential verities of life, that the first duty of the adolescent who
wishes to grow into a healthy man is to sacrifice everything.
* * * * *
Christophe was passing through that crisis of healthy disgust. His instinct
was impelling him to eliminate from his life all the undigested elements
which encumbered it.
Public-domain text, read in full here on John Shaqi.
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