Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
Christophe listened to these squibs attentively and labored to discuss
them: he was in part in sympathy with them, he recognized certain of his
own thoughts in them: and at the same time he felt a little embarrassed at
having them so blown out to the point of caricature. But as he assumed that
everybody else was as serious as himself, he thought that perhaps Mannheim,
who seemed to be more learned than himself and spoke more easily, was
right, and was drawing the logical conclusions from his principles. Vain
Christophe, whom so many people could not forgive for his faith in himself,
was really most naïvely modest often tricked by his modesty when he was
with those who were better educated than himself,--especially, when they
consented not to plume themselves on it to avoid an awkward discussion.
Mannheim, who was amusing himself with his own paradoxes, and from one
sally to another had reached extravagant quips and cranks, at which he
was laughing immensely, was not accustomed to being taken seriously: he
was delighted with the trouble that Christophe was taking to discuss his
nonsense, and even to understand it: and while he laughed, he was grateful
for the importance which Christophe gave him: he thought him absurd and
charming.
They parted very good friends: and Christophe was not a little surprised
three hours later at rehearsal to see Mannheim's head poked through the
little door leading to the orchestra, smiling and grimacing, and making
mysterious signs at him. When the rehearsal was over Christophe went to
him. Mannheim took his arm familiarly.
"You can spare a moment?... Listen. I have an idea. Perhaps you will think
it absurd.... Would not you like for once in a way to write what you think
of music and the musicos? Instead of wasting your breath in haranguing four
dirty knaves of your band who are good for nothing but scraping and blowing
into bits of wood, would it not be better to address the general public?"
"Not better? Would I like?... My word! And when do you want me to write? It
is good of you!..."
"I've a proposal for you.... Some friends and I: Adalbert von Waldhaus,
Raphael Goldenring, Adolf Mai, and Lucien Ehrenfeld,--have started a
Review, the only intelligent Review in the town: the _Dionysos_.--(You must
know it....)--We all admire each other and should be glad if you would join
us. Will you take over our musical criticism?"
Christophe was abashed by such an honor: he was longing to accept: he was
only afraid of not being worthy: he could not write.
Public-domain text, read in full here on John Shaqi.
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