Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
He espoused all sorts of strange Utopias--most often generous. He was too
subtle and too skeptical to keep his head even in his enthusiasms, and he
never compromised himself by applying his theories. But he had to have
some hobby: it was a game to him, and he was always changing from one to
another. For the time being his craze was for kindness. It was not enough
for him to be kind naturally: he wished to be thought kind: he professed
kindness, and acted it. Out of reaction against the hard, dry activity of
his kinsfolk, and against German austerity, militarism, and Philistinism,
he was a Tolstoyan, a Nirvanian, an evangelist, a Buddhist,--he was not
quite sure what,--an apostle of a new morality that was soft, boneless,
indulgent, placid, easy-living, effusively forgiving every sin, especially
the sins of the flesh, a morality which did not conceal its predilection
for those sins and much less readily forgave the virtues--a morality
which was only a compact of pleasure, a libertine association of mutual
accommodations, which amused itself by donning the halo of sanctity. There
was in it a spice of hypocrisy which was a little offensive to delicate
palates, and would have even been frankly nauseating if it had taken itself
seriously. But it made no pretensions towards that: it merely amused
itself. His blackguardly Christianity was only meant to serve until some
other hobby came along to take its place--no matter what: brute force,
imperialism, "laughing lions."--Mannheim was always playing a part, playing
with his whole heart: he was trying on all the feelings that he did not
possess before becoming a good Jew like the rest and with all the spirit
of his race. He was very sympathetic, and extremely irritating. For some
time Christophe was one of his hobbies. Mannheim swore by him. He blew his
trumpet everywhere. He dinned his praises into the ears of his family.
According to him Christophe was a genius, an extraordinary man, who made
strange music and talked about it in an astonishing fashion, a witty
man--and a handsome: fine lips, magnificent teeth. He added that Christophe
admired him.--One evening he took him home to dinner. Christophe found
himself talking to his new friend's father, Lothair Mannheim, the banker,
and Franz's sister, Judith.
Public-domain text, read in full here on John Shaqi.
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