Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
The moon had risen, round and gleaming, behind the fields. A silvery mist
hovered above the ground and the shimmering waters. The frogs croaked, and
in the meadows the melodious fluting of the toads arose. The shrill tremolo
of the grasshoppers seemed to answer the twinkling of the stars. The wind
rustled softly in the branches of the alders. From the hills above the
river there came down the sweet light song of a nightingale.
"What need is there to sing?" sighed Gottfried, after a long silence. (It
was not clear whether he were talking to himself or to Jean-Christophe.)
"Don't they sing sweeter than anything that you could make?"
Jean-Christophe had often heard these sounds of the night, and he loved
them. But never had he heard them as he heard them now. It was true: what
need was there to sing?... His heart was full of tenderness and sorrow. He
was fain to embrace the meadows, the river, the sky, the clear stars. He
was filled with love for his uncle Gottfried, who seemed to him now the
best, the cleverest, the most beautiful of men. He thought how he had
misjudged him, and he thought that his uncle was sad because he,
Jean-Christophe, had misjudged him. He was remorseful. He wanted to cry
out: "Uncle, do not be sad! I will not be naughty again. Forgive me, I love
you!" But he dared not. And suddenly he threw himself into Gottfried's
arms, but the words would not come, only he repeated, "I love you!" and
kissed him passionately. Gottfried was surprised and touched, and went on
saying, "What? What?" and kissed him. Then he got up, took him by the hand,
and said: "We must go in." Jean-Christophe was sad because his uncle had
not understood him. But as they came to the house, Gottfried said: "If you
like we'll go again to hear God's music, and I will sing you some more
songs." And when Jean-Christophe kissed him gratefully as they said
good-night, he saw that his uncle had understood.
Public-domain text, read in full here on John Shaqi.
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