Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
He was not much afraid, for he was used to the theater; but when he found
himself alone on the platform, with hundreds of eyes staring at him, he
became suddenly so frightened that instinctively he moved backwards and
turned towards the wings to go back again. He saw his father there
gesticulating and with his eyes blazing. He had to go on. Besides, the
audience had seen him. As he advanced there arose a twittering of
curiosity, followed soon by laughter, which grew louder and louder.
Melchior had not been wrong, and the boy's garb had all the effect
anticipated. The audience rocked with laughter at the sight of the child
with his long hair and gipsy complexion timidly trotting across the
platform in the evening dress of a man of the world. They got up to see him
better. Soon the hilarity was general. There was nothing unkindly in it,
but it would have made the most hardened musician lose his head.
Jean-Christophe, terrified by the noise, and the eyes watching, and the
glasses turned upon him, had only one idea: to reach the piano as quickly
as possible, for it seemed to him a refuge, an island in the midst of the
sea. With head down, looking neither to right nor left, he ran quickly
across the platform, and when he reached the middle of it, instead of
bowing to the audience, as had been arranged, he turned his back on it, and
plunged straight for the piano. The chair was too high for him to sit down
without his father's help, and in his distress, instead of waiting, he
climbed up on to it on his knees. That increased the merriment of the
audience, but now Jean-Christophe was safe. Sitting at his instrument, he
was afraid of no one.
Melchior came at last. He gained by the good-humor of the audience, who
welcomed him with warm applause. The sonata began. The boy played it with
imperturbable certainty, with his lips pressed tight in concentration, his
eyes fixed on the keys, his little legs hanging down from the chair. He
became more at ease as the notes rolled out; he was among friends that he
knew. A murmur of approbation reached him, and waves of pride and
satisfaction surged through him as he thought that all these people were
silent to listen to him and to admire him. But hardly had he finished when
fear overcame him again, and the applause which greeted him gave him more
shame than pleasure. His shame increased when Melchior took him by the
hand, and advanced with him to the edge of the platform, and made him bow
to the public. He obeyed, and bowed very low, with a funny awkwardness; but
he was humiliated, and blushed for what he had done, as though it were a
thing ridiculous and ugly.
Public-domain text, read in full here on John Shaqi.
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