Jean of GreenacresForrester, Izola L. (Izola Louise)
General
Jean of Greenacres
Forrester, Izola L. (Izola Louise)
Artists -- Juvenile fiction; Family -- Juvenile fiction; New England -- Juvenile fiction
Visions of that visit were flitting through Jean’s mind as she drove
along the old river road, and she hardly noticed the beat of hoofs
behind her, until Ralph drew rein on Mollie beside her. They had hardly
seen each other to talk to, since her return from Boston.
“The fire’s all out,” he said. “We have left some of the boys on guard
yet, in case it may be smouldering in the underbrush. I have just been
telling Rudemeir and the other men, if they’d learn to pile their brush
the way we do up home, they would be able to control these little fires
in no time. You girls must be awfully tired out. You did splendid work.”
“Kit and Sally did, you mean,” answered Jean. “All I did was to help
cook.” She laughed. “I never dreamt that men and boys could eat so many
doughnuts and cup cakes. Cousin Roxy says she sent over twenty-two
loaves of gingerbread, not counting all the other stuff. Was any one
hurt, at all?”
“You mean eating too much?” asked Ralph, teasingly. Then more seriously,
he added, “A few of the men were burnt a little bit, but nothing to
speak of. How beautiful your springtime is down here in New England. It
makes me want to take off my coat and go to work right here, reclaiming
some of these old worked out acres, and making them show the good that
still lies in them if they are plowed deep enough.”
Jean sighed, quickly.
“Do you really think one could ever make any money here?” she asked.
“Sometimes I get awfully discouraged, Mr. McRae. Of course, we didn’t
come up here with the idea of being farmers. It was Dad’s health that
brought us, but once we were here, we couldn’t help but see the chance
of making Greenacres pay our way a little. Cousin Roxy has told us we’re
in mighty good luck to even get our vegetables and fruit out of it this
last year, and it isn’t the past year I am thinking of; it’s the next
year, and the next one and the next. One of the most appalling things
about Gilead is, that you get absolutely contented up here, and you go
around singing blissfully, ‘I’ve reached the land of corn and wine, and
all its blessings freely mine.’ Old Daddy Higginson who taught our art
class down in New York always said that contentment was fatal to
progress, and I believe it. Father is really a brilliant man, and he’s
getting his full strength back. And while I have a full sense of
gratitude towards the healing powers of these old green hills, still I
have a horror of Dad stagnating here.”
Ralph turned his head to watch her face, giving Mollie her own way, with
slack rein.
“Has he said anything himself about wanting to go back to his work?” he
asked.
Public-domain text, read in full here on John Shaqi.
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