Jean of GreenacresForrester, Izola L. (Izola Louise)
General
Jean of Greenacres
Forrester, Izola L. (Izola Louise)
Artists -- Juvenile fiction; Family -- Juvenile fiction; New England -- Juvenile fiction
“But when?” interrupted Jean. “It isn’t that I want to know for my own
pleasure, but you don’t know how fearfully precious these last years in
the ’teens seem to me. There’s such a terrible lot of things to learn
before I can really say I’ve finished.”
“And one of the first things you have to learn is just that you never
stop learning. That you never really start to learn until you attain the
humility of knowing your own limitations. So don’t you worry, Jeanie,
you can’t possibly go over to Europe and swallow its Art Galleries in
three months. By the way, if you are really going, you had better start
in learning some of the guide posts.”
He crossed over to one of his book cases, and picked out an old
well-worn Baedeker bound in red morocco, “Northern Italy.” He opened it
lovingly, and its passages were well underlined and marked in pencil all
the way through. There were tiny sprays of pressed flowers and four
leaved clovers, a five pointed fig leaf, and some pale silver gray olive
ones. “Leaves from Vallambrosa,” he quoted, softly. “Your mother and I
followed those old world trails all through our honeymoon, my dear.”
Jean leaned over his shoulder, eagerly, her arms clasped around his
neck, her cheek pressed to his.
“You dear,” she said, fervently. “Do you know what I’m going to do with
the very first five thousand dollars I receive for a masterpiece? I
shall send you and the Motherbird flying back to visit every single one
of those places. Won’t you love it, though?”
“I’d rather take all you kiddies with us. You gain so much more when you
share your knowledge with others. Do you know what this west window
makes me think of, Jean?” He pointed one hand to the small side window
that looked far down the valley. “Somewhere over yonder lies New York.
Often times through the past year, I have stood there, and felt like
Dante at his tower window, in old Guido Di Rimini’s castle at Ravenna.
Joe’s pigeons circling around down there make me think of the doves
which he called ‘Hope’s messengers’ bringing him memories in his exile
from his beloved Florence.”
Jean slipped down on her knees beside him, her face alight with
gladness.
“Oh, Dad, Dad, you do want to go back,” she cried. “You don’t know how
afraid I’ve been that you’d take root up here and stay forever. I know
it’s perfectly splendid, and it has been a place of refuge for us all,
but now that you are getting to be just like your old self—”
Her father’s hand checked her.
“Steady, girlie, steady,” he warned. “Not quite so fast. I am still a
little bit uncertain when I try to speed up. We’ve got to be patient a
little while longer.”
Jean pressed his hand in hers, and understood. If it had been hard for
them to be patient, it had been doubly so for him, groping his way back
slowly, the past year, on the upgrade to health.
Softly she repeated a poem that was a favorite of Cousin Roxy’s, and
which he had liked to hear.
THE HILLS OF REST
Public-domain text, read in full here on John Shaqi.
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