Jean of GreenacresForrester, Izola L. (Izola Louise)
General
Jean of Greenacres
Forrester, Izola L. (Izola Louise)
Artists -- Juvenile fiction; Family -- Juvenile fiction; New England -- Juvenile fiction
“At the Villa Marina. Ah, but you should see it.” Carlota’s dark face
glowed with love and pride. “It is dull terra cotta color, and then dull
green too, the mold of ages, I think, like the under side of an olive
leaf, and flowers everywhere, and poplars in long avenues. My father
laughs at our love for it, and says it is just a mouldy old ruin, but
every summer we spend there. Some day perhaps you could come to see us,
Jean. Would they lend her to us for a while, do you think, Mrs. Newell?”
“After the sick soldiers have all been sent home well,” said Jean. “I
should love to. Isn’t it fun building air castles?”
“They are very substantial things,” Cousin Beth returned, whimsically.
“Hopes to me are so tangible. We just set ahead of us the big hope, and
the very thought gives us incentive and endeavor and what Elliott calls
in his boy fashion, ‘punch.’ Plan from now on, Jean, for one spring in
Italy. I’m scheming deeply, you know, or perhaps you haven’t even
guessed yet, to get you a couple of years’ study here, then at least one
abroad, and after that, you shall try your own strength.”
“Wouldn’t it be awful if I turned out just ordinary!” Jean said with her
characteristic truthfulness. “I remember one girl down at the Cove, Len
Marden. We went through school together, and her people said she was a
musical genius. She studied all the time, really and truly. She was just
a martyr, and she liked it. They had plenty of means to give her every
chance, and she studied harmony in one city abroad, and then something
in another city, and something else in another. We always used to wonder
where Len was trying her scales. Her name was Leonora, and she used to
dread it. Why, her father even retired from business, just to give his
time up to watching over Len, and her mother was like a Plymouth Rock
hen, brooding over her. Well, she came back last fall, and just ran away
and married one of the boys from the Cove, and she says she doesn’t give
a rap for a career.”
Cousin Beth and Carlota both laughed heartily at Jean’s seriousness.
“She has all of my sympathy,” the former declared. “I don’t think a
woman is able to give her greatest powers to the world if she is gifted
unusually, until she has known love and motherhood. I hope Leonora finds
her way back to the temple of genius with twins clinging to her wing
tips.”
It was just a little bit late when they arrived at the Morel studio.
Jean had expected it to be more of the usual workshop, like Daddy
Higginson’s for instance, where canvases heaped against the walls seemed
to have collected the dust of ages, and a broom would have been a
desecration. Here, you ascended in an elevator, from an entrance hall
that Cousin Beth declared always made her think of the tomb of the
Pharoahs in “Aida.”
Public-domain text, read in full here on John Shaqi.
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