If the bell is still left in the glycerine solution nothing further
happens; the tissues die in this condition of strong systole. But if
the bell be transferred to normal sea-water immediately after, or,
still better, slightly before the tonic spasm has become complete, an
interesting series of phenomena is presented. The spasm persists for
a long time after the transference without undergoing any change,
the length of this time depending on the stage in the severity
and the spasm at which the transference is made. After this time
is passed, the spasm becomes less pronounced than it was at the
moment of transference, and a reversion takes place to the rhythmic
contractions. The spasm may next pass off entirely, leaving only
the rhythmic contractions behind. Eventually these too fade away
into quiescence, but it is remarkable that they leave behind them
a much more persistent exaltation of irritability than is the case
with acid. For in the case of glycerine, the paralyzed bell which
has been exposed to the influence of the irritant and afterwards
become quiescent in normal sea-water, will often continue for hours
to respond to single stimuli with a bout of rhythmic contractions.
This effect of glycerine in producing an extreme condition of exalted
irritability is also rendered apparent in another way; for if,
during the soaking stage of the experiment--_i.e._ before the first
of the rhythmic contractions has occurred--the bell be nipped with
the forceps, the effect may be that of so precipitating events that
the whole of the rhythmic stages are omitted, and the previously
quiescent bell enters at once into a state of rigid tonic spasm. This
effect is particularly liable to occur after prolonged soaking in
weak solutions of glycerine.
As in the case of stimulation by acid, so in that of stimulation by
glycerine, the artificial rhythm never begins in any strength of
solution until the epithelial surface has become opalescent to a
considerable degree.
In the case of stimulation by glycerine, the behaviour of the
manubrium is more unequivocal than it is in the case of stimulation
by acid. I have therefore reserved till now my description of the
behaviour of this organ under the influence of constant chemical
stimulation. This behaviour is of a very marked though simple
character. The manubrium is always the first to respond to the
stimulation, its retraction preceding the first movements of the
bell by an interval of several seconds, so that by the time the bell
begins its rhythmic response the manubrium is usually retracted to
its utmost. The initial response of the manubrium is also rhythmic,
and the rhythm which it manifests--especially if the glycerine
solution be not over-strong--is of the same slow character which
has already been described as manifested by this organ when under
the influence of mechanical stimulation. The rhythm, however, is
decidedly quicker in the former than in the latter case.
Public-domain text, read in full here on John Shaqi.
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