Adultery -- Fiction; Artists -- Fiction; Illegitimate children -- Fiction; Painters -- Fiction; Young women -- Fiction
Gunnar Heggen was the only one who would have liked the symposium to come
to an end; he was the only sober one, and in a bad temper.
Dr. Broager was constantly applying his black moustache to Jenny’s hand;
when she pulled it away he tried to kiss her bare arm. He had succeeded
in placing his arm behind her and they were squeezed so tight in the
corner that it was useless to try and get away from him. Her resistance
was, to tell the truth, somewhat lame, and she laughed without offence at
his boldness.
“Ugh!” said Loulou, shrugging her shoulders. “How can you stand it? Don’t
you think he is disgusting, Jenny?”
“Yes, I do, but don’t you see that he is exactly like a blue-bottle?—it
is useless trying to drive him away. Ugh! stop it, doctor!”
“Ugh!” said Loulou again. “How can you stand that man?”
“Never mind. I can wash myself with soap when I get home.”
Loulou Schulin leaned against Jenny, stroking her arms. “Now I will take
care of these poor, beautiful hands. Look!” She lifted one of them to be
admired by the company round the table. “Isn’t it lovely?” and, loosening
the green motor veil from her hat, she wrapped it round Jenny’s arms and
hands. “In a mosquito net, you see,” she said, thrusting out a small
tongue swiftly at Broager.
Jenny sat an instant with her arms and hands enveloped in the green veil
before undoing it and putting on her coat and gloves.
Broager leaned back with eyes half closed, and Miss Schulin raised her
glass: “Your health, Mr. Heggen.”
He pretended not to hear, but when she repeated her words he seized his
glass: “Pardon—I did not see”—and, after taking a sip, looked away again.
One or two people in the company smiled. Heggen and Miss Winge lived
next door to each other on the top floor of a house somewhere between
Babuino and Corso; intimate relations between them seemed therefore to
be a matter of course. As to Miss Schulin, she had been married to a
Norwegian author, but after a year or so of married bliss had left him
and the child, gone out into the world under her maiden name as “Miss,”
and calling herself an artist.
The landlord came up once more to the company, urgently soliciting their
departure; the two waiters put out the gas at the farther end of the room
and stood waiting by the table, so there was nothing else to be done but
pay and leave the place.
Heggen was one of the last as they came out into the square. By the
light of the moon he saw Miss Schulin taking Jenny’s arm, both running
towards a cab, which some of the others were storming. He ran in the
same direction and heard Jenny calling out: “You know, the one in Via
Paneperna,” just as she jumped into the already filled cab and fell into
somebody’s lap.
But some ladies wanted to get out and others to get in—people kept
on jumping out from one door and in at another, while the driver sat
motionless on his seat waiting, and the horse slept with its head
drooping against the stone bridge.
Public-domain text, read in full here on John Shaqi.
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