“But what goal did I have at all?” she said, with sudden vehemence. “I wanted to live in such a way that I need never be ashamed of myself either as a woman or as an artist. Never to do a thing I did not think right myself. I wanted to be upright, firm, and good, and never to have any one else’s sorrow on my conscience. And what was the origin of the wrong—the cause of it all? It was that I yearned for love without there being any particular man whose love I wanted. Was there anything strange in it, or that I wanted to believe that Helge, when he came, was the one I had been longing for—wanting it so much that at last I really believed it? That was the beginning of what led to the rest. Gunnar, I did believe that I could make them happy—and yet I did only harm.” She had risen and was pacing up and down the floor. “Do you believe that the well you speak of will ever be pure and clear again to one who knows she has muddied it herself? Do you think it is easier for me to resign now? I longed for the same that all girls long for, and I long for it now, but I know that I have now a past which makes it impossible for me to accept the only happiness I care for. Pure, unspoilt, and sound it should be—but none of these conditions can I ever fulfil—not now. My experiences of these two last years are what I must be satisfied to call my life—and for the rest of it I shall just have to go on longing for the impossible.” “Jenny,” said Gunnar, “I am sure I am right in saying again that it depends on yourself if these memories are going to spoil your life, or if you will consider them a lesson, however hard it may be, and still believe that the aim you once set for yourself is the only right one for you.” “But can you not see it is impossible? It has sunk too deep; it has eaten into me like a corrosive acid, and I feel that what was once my inmost self is crumbling to pieces. Yet I don’t want it—I don’t want it. Sometimes I am inclined to—I don’t know really what—to stop all the thoughts at once. Either to die—or to live a mad, awful life—drown in a misery still greater than the present one. To go down in the mud so deep and so thoroughly that nothing but the end will come of it. Or”—she spoke low, with a wild, stifled voice—“to throw myself under a train—to know in the last second that now—just now—my whole body, nerves, heart, and brain will be made into one single shivering blood-stained heap.” “Jenny,” he cried, white in the face, “I cannot bear to hear you speak like this!” “I am hysterical,” she said soothingly, but she went to the corner where her canvases stood and almost flung them against the wall, with the painting turned out: “Is it worth living to go about making things like those? Smearing oil paint on canvas? You can see for yourself that it is nothing now but a mess of paint. Yet you saw how I worked the first months—like a slave. Good God! I cannot even paint any more.”