Adultery -- Fiction; Artists -- Fiction; Illegitimate children -- Fiction; Painters -- Fiction; Young women -- Fiction
“When you spoke about being trampled upon and throwing yourself under
the train, something happened to me. I could not explain what it was.
I knew only that I could not listen to you saying such things. I knew
I would never allow it to happen—not for my life. And when you spoke
of the child, I felt infinitely sad to think that you had suffered so
intensely and that I could not do anything for you. And I was sad too
because I wanted you to love me. Everything you said was echoed in my
soul—the boundless love and the bitter longing—and I understood that my
love for you was just that. While we were in the _trattoria_ and walking
out here it has grown more and more clear to me how much you are to me,
how I love you—and it seems to me that it has always been so. All I know
and remember of you is part of it. I understand now why I have been so
depressed since you came here. It was because I saw how you suffered.
You were so quiet and sad the first weeks, and then came those fits of
dissipation—and I remember that day on the road to Warnemünde, when you
were crying against my shoulder—everything that concerns you is part of
my love for you.
“I know how it all happened with the other men you have known—the boy’s
father too. You have talked and talked with them about all you have been
thinking, and there was no response to your words even when you tried to
make them realize what you felt, because they could not understand your
mind. But I know it—all you have been telling me today and what you said
to me that day in Warnemünde you could not have told to anybody else.
Only to me, because I understand—is it not so?”
She bent her head in surprised assent. It was true.
“I know that I alone understand you thoroughly. I know exactly what you
are, and I love you as you are. If your mind were full of stains and
bleeding wounds, I would love and kiss them until you were clean and well
again. My love has no other purpose but to see you become what you always
wanted to be and must be to feel happy. If you did ever so foolish a
thing, I would only think you were ill or that some strange influence had
poisoned your mind. If you deceived me or if I found you lying drunk in
the road, you would be my own darling Jenny just the same.
“Will you not be mine—give yourself to me? Will you not come into my arms
and let me hold you and make you happy and whole? I don’t know now quite
how to set about it, but my love will teach me, and every morning you
will wake up less sad—every day will seem a little brighter and warmer
than the day before, and your sorrow less great. Let us go to Viterbo or
anywhere you like. Give yourself to me, and I will nurse you as if you
were a sick child. When you are well again you will have learnt to love
me and to know that we two cannot live without each other.
“You are ill; you cannot look after yourself. Close your eyes and give me
your hands; I will love you and make you well—I know I can do it.”
Public-domain text, read in full here on John Shaqi.
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