Adultery -- Fiction; Artists -- Fiction; Illegitimate children -- Fiction; Painters -- Fiction; Young women -- Fiction
If she met Helge and he spoke to her it would be very painful; she would
much prefer to escape it, but if it happened, it was nothing to be so
senselessly afraid of. Everything between them was finished; what had
occurred after their separation was no concern of his, and he had no
right to take her to task for anything. Whatever he knew about it, and
whatever he had to say, she had said it all to herself, for nobody knew
better than she what she had done. She had to answer only to herself;
nothing else could compare with that ordeal.
Need she fear anybody? Nobody could do her a great wrong than she had
done to herself.
It had been a bad day—one of those days when she did not feel sober.
However, she felt better now.
Scarcely was she out in the street before the same stupid, desperate
fright came over her again, and, without realizing it, she rushed on as
if lashed by it, with clenched hands and muttering to herself.
Once she pulled off her gloves, because she was burning hot, and she
recollected suddenly having noticed a wet spot on one of them after she
had caressed the child. She flung them away in disgust.
When she reached home she stood a moment hesitating in the passage, then
knocked at Gunnar’s door, but he was not in. She went to look on the
roof; there was no one there.
She entered her room, lit the lamp, and sat staring at the flame,
her arms folded. After a while she rose and began walking restlessly
up and down the floor—only to sit down again as before. She listened
breathlessly to every sound on the stairs. Oh, if only Gunnar would
come! And not the other one. But how could he? He did not know where she
lived—he might have met somebody who knew and asked. Oh, Gunnar, Gunnar,
come!
She would go straight to him, throw herself in his arms.
The moment she had seen Helge Gram’s light brown eyes again, her whole
past, that had begun under their glance, confronted her. It all came
back—the disgust, the doubt of her own ability to feel, to will and
to choose, and the suspicion that in reality she wanted what she said
she did not. While she was pretending to herself that she wanted to be
strong, pure, and whole in her feelings, and while she said she wanted
to be honest, courageous, disciplined—to work and to sacrifice herself
for others—she allowed herself to be tossed between moods and desires she
did not care to fight, although she knew she should have done so. She had
pretended to love so as to sneak into a place in life which she could
never have attained if she had been honest.
Public-domain text, read in full here on John Shaqi.
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