He was engaged to do harvest-work, but he knew that labour was
impossible--he went out into the fields and wandered there for hours.
When he returned home in the evening, he found that a message had
preceded him--Mr James Robson had sent to ask Jenny why her son had not
appeared; and had added, moreover, that the lad was getting ‘strange
and idle,’ and that he wished the mother would ‘say a word’ to him.
Jenny did say a word, she even said many words, with the cold severity
that was her manner of greatest displeasure; and she ended by refusing
to let Nat have his tea, telling him that she could not afford to give
him meals for which he did not work. No doubt, it would have been
better if she had avoided that childish punishment, but the sore weight
of her own troubles lay upon her heart; and, moreover, it is not always
easy for a mother to be certain whether to treat a lad of seventeen
like a man or like a child. Nat found himself next morning too sick and
depressed to eat; but he would not make any complaint, and went
doggedly to his work--not relieved when he was told by his master
before the other boys and men that a ‘moocher’ deserved a thrashing,
and, if he were _his_ son, would get it too. Mr James Robson intended
to give a kindly warning, but a proud nature does not receive warnings
well; and although Nat set to work with stubborn earnestness, his
resolution only issued from pride and despair. He knew indeed that it
would not be difficult to regain his credit as long as he continued to
be the Squire’s favourite; but even that thought was a bitter
consolation, which could not comfort him in his temporary disgrace. If
he should ever fall from the favour of the Squire, he would not again
hold up his head amongst his companions.
Poor Nat! If any artist had passed by the harvest-field he must have
been struck by the sight of his youth and strength, of his well-formed
arms with shirt sleeves rolled to the elbows, and of the beauty of his
flushed, sunburnt face. But this picture, so ready for an artist’s
hand, was under conditions which might render it less desirable--though
the mental torments under which the lad was writhing had not been
able to work much outward ravage yet. For the first time Nat felt drawn
to forbidden pleasures, to anything that would still the raging thirst
of life--he longed to enter the lighted public-house, to sing and dance
there, and drink away his fear and shame. His old pride restrained him,
that pride of old respectability which is too often the only safe-guard
left. He would wait till he saw if the Squire had any suspicion; after
_that_ it would not matter what became of him.
Public-domain text, read in full here on John Shaqi.
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