“Because he's got to have exercise,” said Jeremy, discovering, to his
own delighted surprise, that he was not frightened in the least.
“Oh, has he? I don't know what people keep dogs for.”
And then he stamped out of the shop.
Jeremy regarded this in the light of a victory and marched away, his
head more in the air than ever. He should now have hurried home. The
midday chimes had rung out and Jeremy's duties were performed. But he
lingered, listening to the last notes of the chimes, hearing the cries
of the Cathedral choir-boys as they moved across the green to the
choir-school, watching all the people hurry up and down the street. Ah,
there was the Castle carriage! Perhaps the old Countess was inside it.
He had only seen her once, at some service in the Cathedral to which his
mother had taken him, but she had made a great impression on him with
her snow-white hair. He had heard people speak of her as “a wicked
old woman.” Perhaps she was inside the carriage... but he only saw
the Castle coachman and footman and the coronet on the door. It rolled
slowly up the hill with its fine air of commanding the whole world--then
it disappeared around the corner of the Close.
Jeremy decided then that he would go home across the green and down
Orchard Lane. He had a wish to enter the Cathedral for a moment; such
a visit would, after all, complete the round of his experiences. He had
never entered the Cathedral alone, and now, as he saw it facing him, so
vast and majestic and quiet, across the sun-drenched green, he felt
a sudden fear and awe. He found a ring in a stone near the west end
through which he might fasten Hamlet's lead, then, slowly pushing back
the heavy door, he passed inside. The Cathedral was utterly quiet. The
vast nave, stained with reflections of purple and green and ruby, was
vague and unsubstantial, all the little wooden chairs huddled together
to the right and left, leaving a great path that swept up to the
High Altar under shafts of light that fell like searchlights from the
windows. The tombs and the statues peered dimly from the shadow, and the
great east end window, with its deep purple light, seemed to draw
the whole nave up into its heart and hold it there. All was space and
silence, light and dusk; a little doll of a verger moved in the far
distance, an old woman, so quiet that she seemed only a shadow, passed
him, wiping the little chairs with a duster.
Public-domain text, read in full here on John Shaqi.
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