Jeremy and Hamlet: A Chronicle of Certain Incidents in the Lives of a Boy, a Dog, and a Country TownWalpole, Hugh
General
Jeremy and Hamlet: A Chronicle of Certain Incidents in the Lives of a Boy, a Dog, and a Country Town
Walpole, Hugh
Boys -- Fiction; Dogs -- Fiction; England -- Social life and customs -- 19th century -- Fiction
On the steps of the farm-house an extraordinary woman was standing,
quite alone, no one near to her, standing there, contempt in her eyes
and a curious smile, almost of pleasure, on her lips. Even to Jeremy’s
young innocence she was over-coloured. Her face was crimson; she wore a
large hat of bright green and a bright green dress with a flowing train.
She did not move; she might have been painted into the stone. But
Jeremy’s gaze (seen dimly and as it were upwards through a pair of high,
widely extended farmer’s legs) was soon withdrawn from this highly
coloured lady to the central figure of the scene. This was a man who
seemed to Jeremy the biggest and blackest human he had ever seen. He had
jet-black hair, a black beard, and struggling now in the middle of the
yard between three rough-looking countrymen, his clothes were almost
torn from the upper part of his body. His face was bleeding, and even as
Jeremy caught sight of him he snatched one arm free and caught one of
his captors a blow that sent him reeling. For one instant he seemed to
rise above the crowd, gathering himself together for a mighty effort; he
seemed, in that second, to look towards Jeremy, his eyes staring out of
his head, his great chest heaving, his legs straining. But at once four
men were upon him and began to drive him towards the gate, the crowd
bending back and driving Jeremy into a confusion of thighs and legs
behind which he could see nothing. Then suddenly once more the scene
cleared, and the boy saw a figure run from the house, crying something,
his hand raised. Someone caught the figure and stayed it; for a second
of time Jeremy saw Humphrey’s face flaming with anger. Then the crowd
closed round.
At the same instant the black man seemed to be whirled towards them,
there was a crushing, a screaming, a boot seemed to rise from the ground
of its own volition and kick him violently in the face and he fell down,
down, down, into a bottomless sea of black pitch.
VI
For three days he was in bed, his head aching, one cheek swollen to
twice its natural size, one eye closed. To his amazement no one scolded
him; no one asked him how he had been caught in that crowd. Everyone was
very kind to him.
Once he asked his mother “What had happened?” She told him that “They
were very wicked people and had gone away.”
When he was up and about again he went to the farm and looked through
the gate. Within there was absolute stillness. A pig was snuffling
amongst the manure.
He went out to the moor. It was a perfect afternoon, only a little
breeze blowing. The pools, slightly ruffled, were like blue lace. A
rabbit sitting in front of his hole did not move. He threw himself, face
downwards on the ground, burying his nose in it, feeling in some strange
way that Humphrey was there.
CHAPTER IX
THE PICTURE-BOOK
I
Public-domain text, read in full here on John Shaqi.
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