Jerusalem Explored, Volume 1—Text: Being a Description of the Ancient and Modern City, with Numerous Illustrations Consisting of Views, Ground Plans and SectionsPierotti, Ermete
History
Jerusalem Explored, Volume 1—Text: Being a Description of the Ancient and Modern City, with Numerous Illustrations Consisting of Views, Ground Plans and Sections
Pierotti, Ermete
Jerusalem -- Antiquities; Jerusalem -- Description and travel
Leaving this chapel, and passing along the north aisle of the church, we
find on the east, behind the Greek Church, a staircase leading down into
the Chapel of S. Helena[430], belonging to the Armenians, the south side
of which is partly formed by the rock. From the middle of it rises a
dome, supported by four columns (of Egyptian granite) with Byzantine
capitals[431], and surrounded by a terrace-roof occupied by the huts of
the Abyssinians. Near the north-east corner of the chapel is a wooden
altar, concealing a doorway, now built up; it communicated with a
building called the Prince's House, which I shall presently notice. In
the south-east corner is a kind of little balcony (erected by the
Armenians in the 17th century), where, according to a false tradition,
S. Helena stood while the workmen were seeking for the cross in the
neighbouring cistern. This chapel was united to the main building by the
Crusaders. In the south wall is a staircase, the steps of which are hewn
out of the rock, though they are now covered up with stone slabs; it
leads into a vault in which the Saviour's cross is believed to have been
found, together with those of the two thieves, after lying hid there for
293 years. The legend is strongly supported by very ancient Eastern
traditions. The interior, entirely excavated in the solid rock,
corresponds in form with the cisterns so abundant in Jerusalem, and the
holes still remain by which the water entered or was drawn out. The rock
is a soft limestone, and differs from the fragment on the top of
Golgotha; therefore I am inclined to believe that there is no connexion
between the latter and this in the Chapel of the Invention of the Cross.
Public-domain text, read in full here on John Shaqi.
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