The Tomb of Zacharias is a monolith, hewn out of the mountain; so excavated that there is a passage five feet wide round all the sides, except of course the western. Each of its faces is 17-1/2 feet long, decorated with two columns in the middle, and two half-columns each attached to pilasters at the corners, all forming part of the same block[615]. Around it is a number of Jewish graves, which make it impossible to determine its true elevation; but the height of the portion visible above them is 19 feet. The decoration is not completed in every part. On the eastern side the columns are only rough-hewn, and not finished off as on the three other sides. Inside the monolith is a sepulchral chamber connected with the corridor from the Tomb of S. James. This Zacharias is thought to be the son of Jehoiada, who was slain by king Joash between the temple and the altar[616]; with whose death the Jews are reproached by Christ[617]. So the Jews at the present time believe, consequently they hold the place in great veneration, and pay very highly to be interred after death anywhere near it; which is the cause of the accumulation of stones round it. The Pilgrim of Bordeaux calls it the Tomb of Isaiah, and Benjamin of Tudela the Tomb of Hosea. To the south of this is another tomb almost buried, on which however two columns can be distinguished. By partially uncovering it I ascertained that it was an ancient monument. It might be supposed to be that of Hosea, but I will not undertake to prove it. I am very much disposed to think that the piece of ground containing these four monuments may be the garden of Uzza, in which Manasseh and Amon were buried[618]; or, at any rate, that they were tombs intended to receive the remains of members of the royal family, or of men of distinction in the country. I refer my readers to the excellent description of the four monuments in M. de Saulcy's work[619]. I think that when they were first constructed they were without decorations, and that they were elaborated at a much later period; because on them we find the Greek and Egyptian styles of architecture; consequently I attribute this part to the time of Herod. Dr Robinson[620], struck with the similarity between these and the rock sepulchres of Petra, in the mixture of Grecian and Egyptian architecture, considered the decorations to be perhaps contemporaneous with the Herods, who were of Idumæan origin, or possibly to belong even to the era of Hadrian.