Jerusalem Explored, Volume 1—Text: Being a Description of the Ancient and Modern City, with Numerous Illustrations Consisting of Views, Ground Plans and SectionsPierotti, Ermete
History
Jerusalem Explored, Volume 1—Text: Being a Description of the Ancient and Modern City, with Numerous Illustrations Consisting of Views, Ground Plans and Sections
Pierotti, Ermete
Jerusalem -- Antiquities; Jerusalem -- Description and travel
In the west wall of this court a vestibule is excavated with remarkable
skill, the roof of which was formerly supported by two columns, also
hewn out of the rock: these have now disappeared, owing to the effects
of individual Vandalism, and the injuries of the earthquake in 1837. M.
de Saulcy[829] has given the following excellent description of this
monument: "Above the porch, on the face of the rock itself, runs a long
frieze, carved with exquisite taste and delicacy. The centre of the
frieze is occupied by a bunch of grapes, an emblem of the promised land,
and the habitual type of the Asmonæan coinage. To the right and left of
this bunch are placed symmetrically a triple palm, carved with the
greatest elegance, a crown and triglyphs, alternating with pateræ, or
round shields, three times repeated[830]. Below this runs a rich garland
of foliage and fruit, falling down at right angles on each side of the
opening of the porch. The left-hand portion of this garland has been
much more injured by time than that on the right. Above the line of the
triglyphs a fine cornice begins, formed of elegant mouldings,
unfortunately much damaged, and rising up to the top of the rock, that
is to say, nearly to the level of the surrounding country." The
left-hand portion of this cornice is almost destroyed, not only by the
Arabs, but also by the Americans; among whom a certain Mr Jones has
especially distinguished himself by breaking off all the ornaments that
could be carried away. Beyrout and Jaffa have been the chief centres of
his destructive industry, so that he has destroyed the few monuments of
Phoenicia and of Palestine that remained in their original positions.
Hammer in hand, and dead to every sense of artistic beauty, he chops off
fragments from the inscriptions of Sesostris, from the columns of
Baalbek, and from the monuments of Jerusalem. The Tombs of the Kings
have suffered more at his hands than from all the hostile invasions that
have devastated Palestine.
Public-domain text, read in full here on John Shaqi.
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