Jerusalem Explored, Volume 1—Text: Being a Description of the Ancient and Modern City, with Numerous Illustrations Consisting of Views, Ground Plans and SectionsPierotti, Ermete
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Jerusalem Explored, Volume 1—Text: Being a Description of the Ancient and Modern City, with Numerous Illustrations Consisting of Views, Ground Plans and Sections
Pierotti, Ermete
Jerusalem -- Antiquities; Jerusalem -- Description and travel
not formed by the rock, but by the outer wall of the Temple enclosure,
and are made of great strength to withstand the pressure of the water.
I have already explained by what marks I distinguish the walls which I
attribute to Nehemiah, the Romans, and the Arabs[301]; examples of each
can be readily found in the eastern wall of the _Haram_. From the side
of a small sepulchral building (containing the ashes of Yacûb Pasha and
his wife) to beyond the Golden Gate the masonry shews many signs of Arab
restorations. Here may be seen columns of verd antique, porphyry and
valuable marbles, built longwise into the thickness of the wall.
Doubtless these formerly decorated some Christian edifices, and were
placed in their present position when the city walls were repaired by
Sultan Solyman.
The principal object that attracts attention on the east side is the
Golden Gate[302], which projects slightly from the line of the wall. The
two outer doorways, as I have already said, are built up[303]; but for
the sake of description we will for a moment imagine them opened. From
the outside we see two round-headed arches each supported by two
pilasters, built of stones of no great size, which are laid in mortar,
without rustic work, and form a perfectly smooth face, in strong
contrast with the genuine ancient blocks in the lower parts of the walls
on each side, and at each corner. The two arches and their capitals are
richly carved with leaves and other ornaments. The whole building is
cased, except at the base, with Saracenic work of the date of Solyman;
as I infer from the irregular masonry, the smallness of the stones, the
occurrence of a Byzantine capital (out of its proper place) on the top
of the façade, and many other minor ornamental details, bad in taste and
execution, which are characteristic of that age[304].
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