Returning to the Temple Street and going westward along the dyke, which, with the Rev. G. Williams[322], I consider to be the ancient bridge between Sion and Moriah, we see, after a few yards, on the right hand a small façade of Saracenic architecture, adorned with arabesques of excellent design; whose accurate execution deserves notice. It is a fragment of an ancient school, established by Saladin, the revenues of which are now exhausted, so that nothing else remains besides this building. A little further on we leave this street (called by the Crusaders the Bridge of S. Giles), by taking the first turning to the north, and find, after passing the corner, a stone embedded in the lower part of the wall of the first Arab house on the right hand, bearing an inscription, which however is of no importance. This street runs along the top of a vault which I have examined. It was constructed to form an easy communication with the Tyropoeon, and proves that in former times there was high ground on this spot. Going on northward we arrive at a Saracenic fountain, now without water; near it on the south is a passage leading into the central sewer, which here deviates a little to the east to regain the middle of the valley, and consequently passes under the bridge near the above-named school of Saladin. On the north of the fountain is an ancient Mohammedan bath rapidly falling to ruin, and near it the great gate of the Bazaar of the _Haram_, at the end of which is the _Bâb el-Katannin_ (Gate of the Cotton Merchants). The entrance to the Bazaar is a frontispiece of rude rustic work, which I attribute to the age of the Crusades. The interior is Saracenic, as is shewn by the architraves of the cells on each side, which were built for merchants' shops, but now are receptacles for filth. After passing the middle of the Bazaar, there is a bath on the south side called the _Hammam es-Shefa_, supplied by a spring rising at a great depth: its waters have an unpleasant taste; but we will speak more particularly of it presently. On the north, nearly opposite to the entrance of the bath, a little street leads to the _Bâb el-Kadid_ (Iron Gate) and the Convent of Blind Dervishes, (a philanthropic establishment of Solyman,) where singers in the mosque, suffering from this calamity, are still received.