Jerusalem Explored, Volume 1—Text: Being a Description of the Ancient and Modern City, with Numerous Illustrations Consisting of Views, Ground Plans and SectionsPierotti, Ermete
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Jerusalem Explored, Volume 1—Text: Being a Description of the Ancient and Modern City, with Numerous Illustrations Consisting of Views, Ground Plans and Sections
Pierotti, Ermete
Jerusalem -- Antiquities; Jerusalem -- Description and travel
In the arms of the
transept are fine columns of granite, verd antique, travertine, and
lumachello[339], supporting capitals of different patterns and
unquestionable antiquity. In the western arm, on the left hand, are two
columns of verd antique, a small distance apart, called by the
Mohammedans the 'Columns of Proof,' because, according to our guide, all
who enjoy the favour of God can pass through the narrow space between
them, but not those who are wicked. The worn state of their inner sides
shews the great number of the faithful who have passed the test. This
arm terminates in a long hall, whose low vaulted roof is supported by
pointed arches springing from many-sided pillars; it is called the
mosque of Abu-Bekr, but is really an ancient gallery built by the
Crusaders. Our guide tells us that in their time it was used as an
armoury, which is doubtless the truth, as the mosque _el-Aksa_ itself
was converted into a dwelling-house. At the end of the eastern arm is a
small vaulted hall, resting on the city wall and lighted by windows
commanding a fine view of the slopes of Ophel, part of the Kidron
valley, and the Mount of Offence with the village of Siloam. This
chamber is supposed to be the place in which Omar prayed for the first
time within the walls of the _Haram_: by the spot where he knelt there
is a niche, ornamented with two columns of clouded grey marble, which
have been inverted by the architect, so that the capitals richly carved
with leaves serve as bases. This is called especially the mosque of
Omar, as it continued to be the private oratory of the Khalif. On
turning back to enter the main building, we see on the right a kind of
chapel, wherein is a niche ornamented with marble, called _Bâb er-Rahma_
(Gate of Mercy), near it are the _Mikhereb_ of S. John (Baptist) and
Zacharias. On quitting the mosque by the great northern door, and
turning to the right, we find a flight of steps leading down to the
subterranean vaults below it.
Public-domain text, read in full here on John Shaqi.
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