Jerusalem, the City of Herod and SaladinBesant, Walter
History
Jerusalem, the City of Herod and Saladin
Besant, Walter
Jerusalem -- Description and travel; Jerusalem -- History
Since their establishment on the banks of the Tigris, the Abbasside
caliphs had departed widely from the ancient traditions of their
race; and the warlike ardour and stern simplicity, which had won so
vast an empire for ‘Omar and his contemporaries, presently gave way
to effeminate luxury and useless extravagance. But although this
change was gradually undermining their power, and tending to the
physical degeneracy of the race, it was not unproductive of good;
and the immense riches and careless liberality of the caliphs
attracted to the Court of Baghdád the learned men of the Eastern
world. The Arabs were not an inventive, but they were eminently an
acquisitive people, and,
“Græcia capta ferum victorem cepit,”
the nations conquered by their arms were made to yield up
intellectual as well as material spoils. They had neither art,
literature, nor science of themselves, and yet we are indebted to
them for all three; for what others produced and neglected, they
seized upon and made their own. Born in the black shapeless “tents
of Shem,” and nursed amidst monotonous scenery, the Arabs could
conceive no grander structure than the massive tetragonal Ka‘abah;
but Persia was made to supply them with the graceful forms and
harmonious colours suggested by the flower-gardens of Iran.[38] The
art of painting, cultivated with so much success in Persia even at
the present day, found but little favour with the iconoclast
followers of Mohammed; but its influence is seen in the perfection
to which mural decoration, writing, and illumination have been
brought by the professors of Islam. Caligraphy has been cultivated
in the East to an extent which can be scarcely conceived in this
country; and the rules which govern that science are, though more
precise, founded on æsthetic principles as correct as those of fine
art-criticism here.
Footnote 38:
Nearly all the technical terms used in Arab architecture are
Persian—an additional proof that the so-called Saracenic style is
of foreign and not native origin.
A people whose hereditary occupation was war and plunder, and who
looked upon commerce as a degrading and slavish pursuit, were not
likely to make much progress, even in simple arithmetic; yet, when
it was no longer a mere question of dividing the spoils of a
caravan, but of administering the revenues and regulating the
frontiers of conquered countries, then the Saracens both appreciated
and employed the exact mathematical sciences of India.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account