and when I lay trembling in bed, and Jane Painter stood in my bedroom
in the dark telling me stories of blood and murder, the monkey-man
prowled about the floor, and dropped from the ceiling, and crept from
under my bed, and sat on my pillow with its ugly face illumined. When
Jessie knocked at the shop-door, as she had done years ago for the
first time, and my mother opened it, the monkey-man entered first, and
jumped on to the table; and on the night of the amateur performance at
Josey West's the monkey-man was among the audience, seated in a place
of honour. Suddenly all this chaos of persons and circumstances came
to an end, and there were only my grandmother, and I, and the
monkey-figure sitting together. I was in my little low chair, my
grandmother, very stately and grand, was in her armchair, and the
monkey-man was on the mantelshelf. Said my grandmother in my dream, in
a very distinct tone, 'He had a knob on the top of his head, and was
always eating his nails.' I looked at the monkey-man for confirmation
of her words, and it said, in a stony voice, 'He had a knob on the top
of his head, and was always eating his nails.' After this
confirmation, my grandmother continued, 'And the last time I set eyes
on him was on my wedding-day.' Again I looked at the monkey-man, and
again it confirmed my grandmother's statement, but with a slight
difference this time, 'And the last time we set eyes on him was on our
wedding-day.' Which inference on the part of the monkey-man of being
my grandfather somewhat disturbed me. Now, at this point of my
fancies, what on earth brought old Mac, the actor, into the scene?
There he was, however, face to face with the monkey-man, who
questioned him as a lawyer would have done. 'What do you say his name
commences with?' asked the monkey-man? 'It commences with a G,'
replied old Mac. 'And what is that habit of his that you say is a sign
of ill-temper?' asked the monkey-man. 'Biting his nails,' replied old
Mac; 'he is always at it.' By this time my dream has resolved itself
into a court of inquiry; the monkey-man is dressed in a wig and gown,
which do not hide his ugliness; my grandmother, very broad and portly,
sits as judge, and I, it seems, am in some way the criminal whose case
is being tried, for my grandmother nods her head at me continually,
and says, 'Perhaps you will believe me now; all these things happened
on my wedding-day.' Old Mac fades away, and is replaced by Turk West.
'Curse all professional moneylenders, I say,' he cries; 'and if ever
I believe again in a man with a handle on the top of his head, my
name's not Turk West' 'Hold your tongue,' calls out the monkey-man;
'who wants to know what your name is? We'll come to names presently.
'When did you first discover the handle?' It isn't a handle,' says
Turk, in correction, 'it's a knob.' My grandmother nods in
confirmation. 'He had a knob on the top of his head,' she says, 'and
he was always biting his nails.' 'I don't know about that,' says Turk,
Public-domain text, read in full here on John Shaqi.
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