'I am certain,' she said, 'that you are doing something secretly. For
the last three or four weeks you have shut yourself in here night
after night, for hours together. Now I want to know all about it.'
I did not wish her to see the sketch until it was quite finished; but
as she knelt by my side, and as my box was open, I could not prevent
her from discovering it.
'O Chris!' she cried. It's beautiful!'
And she expressed such praise of it that my heart thrilled with
delight.
'You think it's like you, then, Jessie?'
'Like me! It's _me_--me, myself! Set it on the box there; I'll show
you.'
And with a rapid movement she altered the fashion of her hair to suit
my picture, and assumed the exact expression I had chosen. She looked
very bewitching as she stood before me, the living embodiment of my
work. Then she knelt before the box again, and praised the picture
still more warmly, analysing it with exclamations of pleasure.
While she was talking and admiring herself; she was tossing over the
contents of my box, when she came upon the only legacy my grandmother
had left me--the smoke-dried monkey of a man in stone, which the old
lady had solemnly confided to my care. From the day I had entered
uncle Bryan's house it had lain in my box, and by this time I had
almost forgotten it; but as Jessie held it up and turned it about, my
mind was strangely stirred by those reminiscences of my early life
with which it was inseparably connected.
'What a curious image?' exclaimed Jessie. 'How long have you had it?'
'All my life, Jessie. Put it away; it's the ugliest thing that ever
was seen.'
'I don't think so. It's funny; look at it, wagging its head. Why, you
seem quite frightened of it! Well, then, I shall take it, and keep it
in my room.'
'No, I mustn't part with it. It was given to me by my grandmother, and
she said that it must be kept always in the family. Not that I think
much of what she said.'
Jessie shifted her position, and seated herself very comfortably upon
the floor.
'Now you've got something to tell me,' she said, pulling me down
beside her. 'I've never heard of your grandmother before, and you know
how fond I am of stories.'
'But mine is not a story, And there's nothing interesting to tell.'
'Oh, yes, there is; there must be. Everybody's life is full of
stories.'
'Yours, Jessie?' I put the question somewhat timorously.
'Perhaps,' she answered gravely; and added, after a short pause, 'But
we're not speaking of me; we're speaking of you. I want to know
everything.'
Public-domain text, read in full here on John Shaqi.
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