Conduct of life -- Fiction; Fantasy fiction; Parables
“It would mean company on a lonely road,” said he. “And cheat death of
some of its tragedy, with well-matched partners.”
“Did you—did you send me those slippers that I’m wearing?”
“What makes you think so?”
“The little clog on the back of my programme. It’s the exact fac-simile
of one I used to wear.”
“I had a little story as near as possible to that of Ally Krimjo. For
one morning there was found in the middle of my hall a little garden
clog without owner or companion. It came there through barred doors and
spring-barred doors, and none could make out how it came there. Not even
I. I never learnt it till the night when you came to say your lesson. I
proved it when you wore these little satin-covered skates to-night.”
“You’ll give it back to me?”
“Oh, no! I’m keeping it for luck. That is a lovely stone you’re
wearing.”
“It’s one I told you of. Dug from the garden with a great big fork and
spade, just as a man digs.”
“I believe I’ve seen it before in my father’s house.”
“No, indeed. Unless your father was the Governor I spoke of.”
He laughed.
Then at last the dance was over.
“I’ve found the lady you asked me for,” said he. “Miss Crokerly is my
guardian angel to-night. It is she who discovered her. Here is an
excellent place where you may sit and see everything, and hear the music
to advantage too.”
And then he took her to a seat, and introduced her to a lady sitting
there. She was so charming a companion. Her silences were never awkward,
and now and again she would give Rosalie information about certain
people, all of a good-natured if shrewd kind, that was the highest
entertainment.
At twelve punctually the company descended to supper.
The staircase down was of black marble, and spiral also, like the one
above. It had none of the slippery treachery that characterised its
sister staircase, though, and it seemed altogether of a much more
reliable make. To a spectator the gay colours of the ladies and their
sparkling jewels looked like brilliant multicoloured scales on a
gigantic serpent, reared pillar-wise to support the vast chamber below.
The subterranean banquet hall of Marble House was nothing better,
nothing worse than a crypt.
It had great and massive pillars of hardened, blackened marble; a
fitting support for a fitting house.
Its floors were tiled in marble. Its walls of marble too. But whereas a
crypt, if lit at all, is content with lamps of oil, or the feeble
glimmer of electricity, this place was deluged with light. The most
brilliant candelabra hung from the ceilings, sparkling in the thousand
glintings of diamond glass. The tables were covered with finest
snow-white cloths, and all the decorations were of silver, purest and
brightest and most finely worked. And all the flowers were red.
Here, screened from view, the band was playing gently. A soft and
scented air of luxury arose, as if to show that crypts upon occasion
have finer possibilities than dining-rooms.
Public-domain text, read in full here on John Shaqi.
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