Of the last-named--a splendid production of an English goldsmith of the
Elizabethan period--it is impossible to speak with adequate praise. Like
the Phoenix Jewel, it is modelled upon a contemporary medal, though in
an entirely different style. Upon the front is a profile bust of Queen
Elizabeth from the Personal or Garter badge of 1582, upon an enamelled
ground of aventurine blue, inscribed with the royal title. The opposite
side forms a locket containing a miniature of Elizabeth by Hilliard
dated 1580, and covered with a lid enamelled with translucent
colours--on the outside with the Ark and the motto SAEVAS TRANQUILLA PER
UNDAS (as on the "Naval Award Medal" of 1588), and on the inside with
the Tudor rose and a laudatory Latin motto--the same as appears round
the reverse of the Phoenix Badge of 1574, which refers to Elizabeth
with a regret "that virtue endued with so much beauty should not
uninjured enjoy perpetual life." The jewel is bordered by strapwork _à
jour_ of opaque blue and white enamel set with table diamonds and
rubies. This exquisite object, which is in the highest possible state of
preservation, and retains its fine enamel entirely uninjured, was sold
at Messrs. Christie's in July, 1902, for the large sum of £5,250
(Pl. XXXIV, 5, 6).
The third jewel of this class, also undoubtedly English, is in the
Poldi-Pezzoli Museum at Milan. It has in the centre a mother-of-pearl
medallion with the Ark carved in low relief, of the same design as
on the Morgan Jewel and the 1588 medal, surrounded by the like
inscription--SAEVAS TRANQVILA PER VNDAS--in gold on white enamel, and
encircled by a band of table-cut rubies. The edge is enamelled with
translucent red and green, and opaque white enamel (Pl. XXXV, 3). The
Ark floating tranquilly amid violent waves is emblematic of the fortunes
of England, or possibly of Elizabeth, who, according to the legend PER
TOT DISCRIMINA RERUM which appears on the back of the jewel, had sailed
triumphantly through many dangers. No account of this important object
has previously been published, nor has its nationality up to the present
been noticed, or at any rate recorded.
Public-domain text, read in full here on John Shaqi.
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