Jewish influences in American life : $b volume III of the International Jew, the world's foremost problem : being a reprint of a third selection from articles appearing in the Dearborn IndependentFord, Henry
Religion
Jewish influences in American life : $b volume III of the International Jew, the world's foremost problem : being a reprint of a third selection from articles appearing in the Dearborn Independent
Ford, Henry
Antisemitic literature; Jews -- United States; United States -- Ethnic relations
The same state of facts accounts in large degree for the connection
between a man like Tim Sullivan and the Jews. “Tim,” as everyone knew
him, was leader of a district inhabited by Irish and Germans. Then the
Jews came in. And then began the Jews’ practice of profiting by the
people’s dislike of them.
Foreign Jews well know that they are disliked. It is one of their assets
which never fails to produce dividends. They choose the part of the city
where they desire to live, and a few move in. Their immediate neighbors
move out. More Jews move in—more of the others move out. The property
nearest the Jews always goes down in value. People will sell at a loss
rather than live engulfed in a ghetto.
It was so in Tim Sullivan’s district. As the Jews swarmed in, the Irish
and Germans fled north. Sullivan stood his ground. It was his old
territory, he would not leave it, nor remove his family. He cultivated
the new arrivals and made a partnership with the ex-kosher chicken
butcher, Martin Engel.
The Jews lived under Sullivan’s rule for a time, awaiting the moment
when they should know what to do for themselves. The Yiddish flood
increased until the district was crowded, and then the Jews demanded
representation for themselves. With a premonition that a new force had
arisen, Tim Sullivan played safe and helped the Jews to get
recognition—Martin Engel was made leader of the old Eighth. But Sullivan
had previously gone to Tammany—or to what remained of the old non-Jewish
Tammany—and exacted an understanding that his rule should be left
unchanged below Fourteenth street.
From that time forward, in spite of the understanding, Sullivan’s power
began to wane, principally because he continued to get in deeper and
deeper with the Jews. He went into Jewish lines of business. He formed a
theatrical partnership with George Kraus, among his enterprises being
the Imperial Music Hall, the Dewey Theater, and the traveling Eagle
Burlesque Company. Still the old district continued to become crowded
and overcrowded and saturated with Yiddish newcomers, for whom neither
the name Sullivan nor the traditions of the district had any meaning.
In his closing years, scarcely more than a hanger-on around the former
scene of his power, Tim Sullivan bitterly lamented the ease with which
he was led into associations that undermined his power.
Croker was destroyed in public confidence by the terrific shock of the
exposure attending the Jewish “cadet” activities. Sullivan, equally
picturesque, was the slowly shoved-out victim of Jewish infiltration.
There were other occurrences and other downfalls, all of which are a
part of the real story of Tammany.
——
Issue of September 24, 1921.
Public-domain text, read in full here on John Shaqi.
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