Jewish Literature and Other EssaysKarpeles, Gustav
Religion
Jewish Literature and Other Essays
Karpeles, Gustav
Jewish literature -- History and criticism; Jews
Holy Writ places the origin of music in the primitive days of man,
tersely pointing out, at the same time, music's conciliatory charms: it
is the descendant of Cain, the fratricide, a son of Lemech, the slayer
of a man to his own wounding, who is said to be the "father of all such
as play on the harp and guitar" (_Kinnor_ and _Ugab_). Another of
Lemech's sons was the first artificer in every article of copper and
iron, the inventor of weapons of war, as the former was the inventor of
stringed instruments. Both used brass, the one to sing, the other to
fight. So music sprang from sorrow and combat. Song and roundelay,
timbrels and harp, accompanied our forefathers on their wanderings, and
preceded the armed men into battle. So, too, the returning victor was
greeted, and in the Temple on Moriah's crest, joyful songs of gratitude
extolled the grace of the Lord. From the harp issued the psalm dedicated
to the glory of God--love of art gave rise to the psalter, a song-book
for the nations, and its author David may be called the founder of the
national and Temple music of the ancient Hebrews. With his song, he
banished the evil spirit from Saul's soul; with his skill on the
psaltery, he defeated his enemies, and he led the jubilant chorus in the
Holy City singing to the honor and glory of the Most High.
Compare the Hebrew and the Hellenic music of ancient times: Orpheus with
his music charms wild beasts; David's subdues demons. By means of
Amphion's lyre, living walls raise themselves; Israel's cornets make
level the ramparts of Jericho. Arion's melodies lure dolphins from the
sea; Hebrew music infuses into the prophet's disciples the spirit of the
Lord. These are the wondrous effects of music in Israel and in Hellas,
the foremost representatives of ancient civilization. Had the one united
with the other, what celestial harmonies might have resulted! But later,
in the time of Macedonian imperialism, when Alexandria and Jerusalem
met, the one stood for enervated paganism, the other for a Judaism of
compromise, and a union of such tones produces no harmonious chords.
Public-domain text, read in full here on John Shaqi.
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