These graces of mind became her misfortune. An old Italian priest, Ansaldo Çeba, in Genoa, published an Italian epic with the Esther of the Bible as the heroine. Sara was delighted with the choice of the subject. It was natural that a high-minded, sensitive girl with lofty ideals, stung to the quick by the injustice and contumely suffered by her people, should rejoice extravagantly in the praise lavished upon a heroine of her nation. Carried away by enthusiasm she wrote the poet, a stranger to her, a letter overflowing with gratitude for the pure delight his poem had yielded her. Her passionate warmth, betraying at once the accomplished poetess and the gifted thinker, did not fail to fascinate the old priest, who immediately resolved to capture this beautiful soul for the church. His desire brought about a lively correspondence, our chief source of information about Sara Copia. Her conversion became a passion with the highstrung priest, taking complete possession of him during the last years of his life. He brought to bear upon her case every trick of dialectics and flattery at his command. All in vain. The greatest successes of which he could boast were her promise to read the New Testament, and her consent to his praying for her conversion. Sara's arguments in favor of Judaism arouse the reader's admiration for the sharpness of intellect displayed, her poetic genius, and her intimate acquaintance with Jewish sources as well as philosophic systems. Ansaldo never abandoned the hope of gaining her over to Christianity. Unable to convince her reason, he attacked her heart. Though evincing singular love and veneration for her old admirer, Sara could not be moved from steadfast adherence to her faith. She sent him her picture with the words: "This is the picture of one who carries yours deeply graven on her heart, and, with finger pointing to her bosom, tells the world: 'Here dwells my idol, bow before him.'" With old age creeping upon him with its palsy touch, he continued to think of nothing but Sara's conversion, and assailed her in prose and verse. One of his imploring letters closes thus: "Life's fair, bright morn bathes thee in light, Thy cheeks are softly flushed with youthful zest. For me the night sets in; my limbs Are cold, but ardent love glows in my breast." Sara having compared his poems with those of Amphion and Orpheus, he answered her: "To Amphion the stones lent ear When soft he touched his lute; And beasts came trooping nigh to hear When Orpheus played his flute. How long, O Sara, wilt thou liken me To those great singers of the olden days? My God and faith I sought to give to thee, In vain I proved the error of thy ways. Their song had charms more potent than my own, Or art thou harder than a beast or stone?"