Not for one moment did Sabbathai hesitate. A man’s behaviour at a
supreme crisis in his life is not determined by the sudden need. It is
not to a single, sudden trumpet-call that character responds, but to
the tone set by daily uncounted matin and evensong. Sabbathai was as
incapable of the heroic death as of the heroic life. It had been all a
game to him; the people’s passionate enthusiasm, that pitiful power of
theirs for seeing visions, were just points in the game--points in his
favour. And now the game was lost; he was cool enough to realise this at
a glance, and to seize upon the one move which he might yet make to his
own advantage. With a startling burst of calculated candour he owned to
it all, that he was no prophet, no Saviour, no willing ‘witness’ even;
only a historical Jew, and very much at the Sultan’s service.
Mahomet smiled. The tragedy of the situation was for the Jews; the
comedy, and it must have been irresistible, was his. Then after due
pause he gravely proceeded, that insomuch as Sabbathai’s pretensions to
Palestine were an infringement on Turkish vested rights in that
province, the repentant prophet must give an earnest of his recovered
loyalty as a Turkish subject by turning Turk and abjuring Judaism
altogether. And cheerfully enough Sabbathai assented, audaciously adding
that such a change had been long desired by him, and that he eagerly and
respectfully welcomed this opportunity of making his first profession
of faith as a Mahometan in the presence of Mahomet’s namesake and
temporal representative.
And thus the scene, at which one knows not whether to laugh or cry, was
over; and when the curtain rises again it is on the merest and most
exasperating commonplace--on Sabbathai, fat and turbaned, living and
dying as a respectable Turk. For the actors behind the scenes, there was
never any call, neither to hail a Saviour nor to mourn a martyr. For
them, this puzzling bit of passion-play was just a mirage in the
wilderness of their lives; and for many and many a weary year foolish
and faithful folk debated whether it was mirage or reality. For his
dupes survived him, this sorry impostor of the seventeenth century; and
their illusion, hoping all things, believing all things, withered into
delusion and died hard. Such faculty perhaps, for all its drawbacks,
gives staying-power to man or nation. It is where there is no vision
that the people perish.
NOW AND THEN
A COMPOSITE SKETCH
Public-domain text, read in full here on John Shaqi.
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