Families -- Juvenile fiction; Ireland -- Juvenile fiction; World War, 1914-1918 -- Juvenile fiction
“That’s white quartz; it gives it its name, ‘the silver mountain.’ It
looks a single peak from here, but as we round it you’ll see that there
are really two heads close together; there is a narrow ridge, with a
track about a foot wide, connecting them. Some day, when you all come
back to stay with me at Rathcullen, we must arrange an expedition for
you to climb it.”
Their wandering way led them from the railway line, after a time; and
they struck northward into lonely country of moors and bogs, dotted with
tiny cabins from which blue turf-smoke curled lazily. Once they passed
an old man riding a grey mare, with his wife perched behind him on a
pillion, holding under her shawl a turkey in a sack, from the mouth of
which protruded the head of the indignant bird, making loud protests.
None of the women they met, whether young or old, wore hats: all had the
heavy Irish shawl round head and shoulders,—and whether the face that
looked from the folds were that of a withered old woman or a fresh and
smiling colleen, somehow the shawl seemed the best setting that could
have been devised for it.
Often, for miles and miles, they met no one and passed no habitation: or
perhaps the loneliness of the way would be broken by a little thatched
cabin, where ragged children ran to the doorway, to gaze, round-eyed, at
the strangers. In one little town, however, a fair was in progress, and
the cobbled street presented a lively spectacle. Men, women and
children; asses, ridden and driven; horses, cattle, sheep, and pigs, and
a few stray geese, mingled in loud-voiced confusion, while dogs slipped
hither and thither, managing to intensify the urgency of any situation.
To get the big Rolls-Royce through such a concourse was no easy task,
and even with a people so good-humoured, a tactless driver would have
achieved swift unpopularity. Sir John, however, was at the wheel
himself, and he slowed down to a crawl, sounding the hooter
occasionally, more in the manner of a gentle suggestion than anything
else. His Irish accent was a shade more in evidence than usual as he
exchanged greetings with the crowd.
“’Tis a fine season we’re having, thank God!”
“It is, your honour. G’wan now, Mary Kate; get the little ass out of the
way of the mothor.”
“Ah, don’t be hurrying her. I have plenty of time.”
“Sure ye’d need it, your honour, the place is that throng.”
“And that’s a good sign; it’s a great fair you’re having!”
“Well indeed, sir, it is not bad, thank God!”
O’Neill swerved to avoid an old woman in an ass-cart, who was talking
volubly to some neighbours, while the ass took its own direction among
the crowd. Voices broke into swift upbraidings.
“Take a howld of the ass there, will you, Maria Cooney!”
“Oh, wirra, it’s desthroyed she’ll be!”
“She will not, but the great mothor!”
Public-domain text, read in full here on John Shaqi.
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