About midday on the fourth day, as we were passing through a village,
it chanced that a drove of sheep blocked up the road. The caravan
stopped and I managed to get down from the waggon, with my gaoler, to
see what was happening in the road. The sheep were very wild, and the
drover was a boy who did not know how to drive them. The way was
blocked for a good ten minutes, so that I had time to look about
me. While we waited, a donkey-cart drove up, with two people inside
it, dressed in the clothes of naval sailors--white trousers, blue,
short, natty jackets (with red and green ribbons in the seams), and
with huge clubbed pigtails under their black, glazed hats. One of them
was evidently ill, for he lay back against the backboard and did not
speak. I noticed also that he had not been to sea for a long time, as
his beard was long and unkempt. The other, who drove the cart, was a
one-legged man, very short and broad, with a thick black stubble on
his cheeks. He was a hearty person with a voice like a lion's
roar. They had rigged up Union Jacks on the donkey's blinkers, they
had a pilot jack upon the shaft, and a white ensign on a flagpole tied
to the backboard. The body of the cart was all sprigged out with
streamers of ribbon as thick as horses' tails, and there were placards
fixed to the sides of the donkey's collar. They were clumsily scrawled
as follows:--
Pity the Braiv English Seamen,
Wonded in the Wars,
Help them as cannot help theirselves,
We have Bled for our nativland.
Nelson and Bronte.
This wonderful conveyance pulled up among the sheep. The one-legged
man stood upright in the cart, called for three cheers, and at once
began to roar out the never-ending ballad of the battle of Belle
Isle:--
At the battle of Belle Isle,
I was there all the while, etc., etc.
Everybody clustered round to listen, and to admire the turnout.
I could not get very near to the cart, because of the press; but I
noticed quite suddenly that the sick man was staring rather hard at me
from under the rim of his glazed hat, which was jammed down over his
eyes. The eyes seemed familiar. There was something familiar in the
figure, covered up, as it was, with the rough beard, and with a ship's
boat-cloak. It reminded me of Marah, somehow, and yet it could not
possibly be Marah; and yet the man was staring hard at me.
A countryman came out of an inn with a mug of drink for the singer,
who checked his song at about the hundred-and-fiftieth stanza, to take
the mug with a "Thank ye, mate," and hand it to his sick friend. The
sick man took the mug with his left hand, opening the fingers
curiously, and still looking hard at me. My heart gave a great jump,
for there were three blue rings tattooed on one of the fingers. The
man waved his mug towards me. "Hoo, hoo, hoo," he cried, imitating an
owl with his weak voice. "Hoo, hoo, hoo." Then he clapped his right
hand across his mouth to warn me to be silent, and drank, with a bow
to the giver.
Public-domain text, read in full here on John Shaqi.
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