Jim Spurling, Fisherman: or Making GoodTolman, Albert Walter
General
Jim Spurling, Fisherman: or Making Good
Tolman, Albert Walter
Fisheries -- Juvenile fiction; Maine -- Juvenile fiction
"Yes; and they're good company--better, in some ways, than human beings,
for they can't talk back. The dog's Oliver Cromwell; and the cats I've
named Joan of Arc, Marie Antoinette, and Queen Victoria. I must go
aboard and give 'em their suppers."
He rose from the table.
"Come back again in an hour," invited Jim, "and we'll have some music.
We've a violin here."
"I'll be more than glad to come," returned their guest. "Music's
something I don't have a chance to hear very often."
Walking down the beach, he sculled out to his sloop. His animals greeted
him, Oliver Cromwell vociferously, the cats with a more reserved
welcome.
"What d'you make of him?" asked Percy. "Odd stick, isn't he?"
"Yes," said Jim, meditatively, "but he seems like a gentleman. What I
can't understand is why he's cruising along the coast alone in that old
Noah's ark. It doesn't seem natural. Besides, it's dangerous business
for a man of his age. Well, it's no concern of ours. Let's give him a
pleasant evening."
Promptly at the end of the allotted hour the stranger came ashore again.
"Got the children all in bed for the night," said he. "Now I can make
you a little visit with a clear conscience."
He spoke faster and more cheerfully than he had done before. The
melancholy in his bearing had vanished. Jim thought he detected a slight
odor of liquor about him, but he could not be sure. They all sat down
together, and Throppy brought out his violin.
"What shall it be, boys?" he asked, after a preliminary tuning up.
"Give us 'The Wearing of the Green,'" suggested Lane.
Soon the wailing strains of the familiar Irish melody were breathing
through the cabin. "Kathleen Mavourneen" followed, and the stranger sat
as if fascinated. At "'Way Down Upon the Suwanee River" he dropped his
head in his hands and his shoulders shook.
"Something livelier, Throppy," said Jim.
Stevens started in on "Dixie." As the first spirited notes came dancing
off the violin their guest raised his head quickly, and before the
selection was finished his cheerfulness had returned.
"Can you play 'The Campbells Are Coming'?" he inquired.
As Stevens responded with the stirring Scotch air Thorpe rose to his
feet and began whistling a clear, melodious accompaniment. The notes
trilled out, pure and bird-like. The boys broke into hearty applause
when he finished. Their approval emboldened him to ask a favor.
"I used to play a little myself," he said; "but it's been years since
I've had a bow in my hand. Would you be willing for me to see if I can
recall anything? I'll be careful of your instrument."
"Sure!" cordially returned Stevens.
He handed violin and bow to Thorpe. The latter took them almost
reverently. Tucking the violin under his chin, he drew the bow back and
forth, at first with a lingering, uncertain touch, but soon with an
increasing firmness and accuracy that bespoke an old-time skill.
Gradually he gathered confidence, and a bubbling flood of liquid music
gushed from the vibrating strings.
Public-domain text, read in full here on John Shaqi.
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