They drove home in comparative silence. More than once it was in her
mind to say something to him in the way of thanks--to tell him what a
night this had been in her life. But she checked herself, partly from
shyness, partly because, although this was the Charlie of old days,
there was yet the difference between the boy who had known nothing and
the man who had learned so much. Only when they got out of the cab, and
stood together for a moment at the door of the little house in Locker
Street, did she put out her hand to him, and murmur a word of thanks.
"Thank you, Charlie," she whispered. "It has been wonderful. The
beautiful dinner--and the lights and the music----. Thank you."
They heard the steps of the old woman in the house, coming down the last
few stairs, and approaching the door. For a moment, as Charlie held her
hand, and saw the flushed, grateful face before him, he drew that hand
towards him, and bent his head to her; she, puzzled a little, drew back.
If he had meant to kiss her he repented of the thought, or decided that
the time was not yet; he laughed, and shook the hand, and the next
moment had jumped into the cab, and was away. And the dark house
swallowed her up.
Patience said nothing while the girl chattered on lightly about all that
had happened, and about how kind Charlie had been, and how good-natured;
Patience merely looked at her from under brooding brows, and made the
simple preparations for bed. But an hour or two afterwards the old woman
stole softly into the room where the girl lay asleep; shading the
candle, she looked down and saw that Moira's face, even in sleep, was
smiling, and that there was a flush upon it.
In just such a fashion, had the girl but known it, the old woman had
looked down at her often and often while she slept; for only at that
time, when Moira lay unconscious, could the deep, strong love of the
woman flash out of her eyes, and set itself in the firm lines of the
mouth, without the possibility of betrayal. Now, as she looked down at
the face, she saw upon it that smile it had not worn before; knew what
had come into the girl's life, and vaguely dreaded it. She went softly
from the room, and closed the door; outside, she looked at the candle
flame, and shook her head.
"She's slipping from me--she's slipping from me," she whispered.
Meanwhile Charlie had gone home--thinking, in his own careless fashion
as he went, what a queer evening it had been, and what queer company he
had kept. It would be untrue to say that Moira had made any impression
upon him, in an active sense; it simply happened that, in his own
careless, good-natured fashion, he was sorry for her, and thought it a
shame that she should have been kept away from all the good things of
life so long. He remembered that she had grown prettier even than he
should have thought possible; had noted with approval that there was an
air of grace and refinement about her which he rather liked. He would
see her again--and that soon.
Public-domain text, read in full here on John Shaqi.
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