“The most natural person I should think,” said Miss Flippance. “Really I
haven’t time to discuss village carriers, if the show is to open
to-night. . . . Do be careful of that drum. No, not inside, blockhead.
Come back!”
As the tambour-laden slave did not seem to hear, his affrighted
fellow-serfs yelled to him to bring the drum outside again, and when he
was come, the despot’s skirts rustled majestically back into the
tent—they were long and hunched out quite fashionably, which
accentuated the humiliation of the male element. But Will remained at
the tent door, like Abraham after an angel’s visit, thunderstruck and
dumbfounded, but with consternation, not reverence. It was, he thought,
the grossest carelessness that had ever occurred in the history of the
globe. A respectable girl like that—why, what was the world coming to?
Sent gadding about the country like a trollop, perched up horsily behind
a carter’s whip—this was what little Jinny had been allowed to grow up
into! And that girl at “The Black Sheep”—she who had looked so
innocent, whom he had mentally seen as a May Queen, crowned with
garlands, dancing girlishly round a Maypole—this was what lay under her
poetic semblance. And at the same time—pleasing and perturbing
thought—both the unsexed Carrier and the maidenly May Queen were in
reality little Jinny: no stand-offish stranger, needing deferential
approach, but—in a way—his very own: the meek poppet whose cheek he
had always pinched patronizingly, in whose eyes he had always seen
himself as a grown-up god.
Miss Flippance, sweeping out again, and finding him still hanging about,
immovable, had a new thought. “Pardon me—has my father engaged you?”
He coloured up in anger. “I brought his bills in passing—that’s all.”
“Oh, I thought you might be looking for a job. There’s this drum, you
know.”
He could have knocked her down. But she was evidently quite in earnest,
this outrageous, humourless female, only second in self-sufficiency to
Jinny the Carrier. The world seemed suddenly emasculated.
“I’m no musician,” he said surlily.
“But you look a strong young man and it’s muscle we want, not music.
You’d only have to stand here about half an hour a day. This afternoon,
of course, you might join the Bellman round the town—I’ve ordered him
for five.”
“Miss Flippance,” said Will, mastering himself and speaking with
crushing dignity, “have you observed my clothes?”
“They don’t matter,” she assured him. “We provide the uniform.”
“Do I look,” he snorted, “like a drummer at a dime show?”
“If you’ve come as a walking gentleman,” replied Miss Flippance simply,
“you’ve come to the wrong shop. We’re only wires.”
“Oh, I know all about that.” And he slashed savagely with his stick at
the insulting tambour, which uttered a bass roar of agony.
“Splendid! But you might have smashed it!” cried Miss Flippance.
“Where’s the drumstick?”
“Am I the drumstick’s keeper?” he answered, with an odd Biblical
reminiscence.
Public-domain text, read in full here on John Shaqi.
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