“No. That’s it! I remember now seeing the man take the drum inside by
mistake. He must have dropped it on the way back.”
“Don’t you think it would have been more sensible to look before you
leaped—especially such a long leap! And what a pace you must have come
in this heat!”
He flushed faintly. “I’m a good walker. I know the cuts.”
“Well, if you get back as quick as you came, there won’t be much time
lost.” She clucked up Methusalem. “Good afternoon—hope you’ll find your
stick, and that you’ll drum-in a good house.”
What! She too thought him capable of being a drum-banger, a minion of
marionettes. Had women then no eye—no perception of clothes—as well as
no humour? The mob was melting away under their amiable parley, but he
now rallied it afresh: “Stop!” he called desperately after Jinny.
“Stop!”
But Nip’s joyous bark at the resumption of the journey drowned all
lesser remarks, and again the cart receded on the horizon—an horizon he
knew houseless and arid, no region for a lonely, good-looking girl. Let
poor pockmarked Polly Flippance brave the wild, if female carriers there
must be: not his Jinny. No, he must reveal himself at the next stop, he
must remonstrate, protest.
But the trouble was that the thing would not stop, and that there would
be no stop now—he knew—for several miles. Perspiring, panting,
hallooing and waving his stick and utterly oblivious of the scandalized
street, he pursued at his swiftest, and Methusalem being no serious
competitor in the long run, Jinny heard him at last, and looking back
through the tilt over the dwindled packages, saw the pitiful, gesturing
figure, and to his infinite relief the cart drew up.
“What have you lost now?” she called. “Your sandwich-boards?”
“I’m not going back to Miss Flippance,” he panted, “I’m going Bradmarsh
way.”
“Then why ever didn’t you say so?” she replied calmly. “Jump up!”
Jump up? She asked a strange young man to jump up? Then what else could
she have done if he had said who he was—a fact of which he had indeed
been just about to make royal proclamation.
“You take passengers?” he gasped. He remembered now that Joey had told
him the cart would take him, but then he had had no idea that “her” was
not the vehicle.
She was equally surprised: “Why else did you run after me?”
Run after her? He did not like the phrase. Girls ran after men—girls of
a sort—to some extent girls of every sort: that was the doctrine in
_his_ set. And yet he _had_ run after her—it called for explanation. “I
wasn’t running after you,” he said slowly, “it was only that—that I
couldn’t believe my eyes to see you like that.”
“Like what?” She was frankly puzzled.
“Driving about alone in this God-forsaken part. It’s—” scandalous, he
was about to say, but before the glimmering fire in her eyes he altered
the word—“it’s dangerous.”
“Dangerous!” Her little laugh rippled out. “I thought you said you knew
these parts.”
Public-domain text, read in full here on John Shaqi.
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