He moved to the back of the house to place the ferrets out of the way,
kicking the poor adder before him—it was a needed relief to his
feelings. Returning, thus purged, he took the proffered horn—it was not
a professional coach-horn or post-horn, but just the little instrument
of a master of foxhounds curling into a circle above—and with but scant
misgiving put it to his mouth, and blew. But the silence remained
unbroken. He puffed on and on with solemn pertinacity. Not a sound
issued. His cheeks swelled to bursting-point, and grew redder and redder
with shame and vexation. But silence still reigned.
“You mustn’t put it inside your lips,” corrected Jinny. “Think you’re
tum-tumming into a comb.”
He readjusted it sullenly, but the music within was still coy.
“Slacken your lip,” she advised. “Try to splutter br-r-r-rr into it.”
But whatever he spluttered into it, nothing came out.
“I never realized it was quite so difficult, even the lipping,” said
Jinny simply. “Of course I didn’t expect you to do the double or treble
tonguing at once.”
“What do you mean, tonguing?” he inquired morosely.
“Dividing the notes. Say ‘Tucker, Tucker, Tucker’ into it.”
“But it’s blowing, not saying,” said Will obstinately.
But secretly he modified his methods, and at last a ghostly plangency or
a staccato squeak began to reward his apoplectic agonizings, and the
still prisoned Nip, who had been yawning in utter boredom, now
accompanied the music with a critical and lugubrious howling.
Upon this spectacle and situation reissued the guileless Caleb, and had
the Crystal City itself come down upon earth, his eyes could scarcely
have orbed themselves more spaciously.
“He _didn’t_ summon you,” observed the merciless Jinny.
“Go away, father! What are you staring at?” yapped the tortured young
man.
“You do be a fine musicianer!” And Caleb grinned. “But do ye don’t play
now—mother’s gittin’ into her tantarums over your tea.”
“The instrument must be out of order,” said Will, handing it up crossly
to Jinny. Remorselessly she drew from it a clarion call that made the
welkin ring and the poultry-yard respond in kind.
“How the cocks crow!” she observed artlessly.
“Thinks because she blows a horn she’s a devil of a fellow,” Will
remarked witheringly to his receding father. “Say, Jinny, why don’t you
wear the breeches?”
“Like those Bloomerites you told me of? I will,” she responded sweetly,
“if you think it more becoming.”
“Me! You don’t suppose _I_ notice what you wear.”
“Then how do you know I’m not wearing ’em now?”
“You have me there!” And he smiled despite himself. The smile lit up the
face under the aureole of red hair—it seemed to Jinny a sudden glimpse,
through a rift of Time, of the boy she had known. “All the same,” he
protested, “if I _had_ a horn, I could learn it in an hour.”
“Well, get one,” said Jinny.
“Where can I get one?” he retorted fretfully.
“Dearie! Your tea——!” It was Martha herself now.
Public-domain text, read in full here on John Shaqi.
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