“But you don’t know my name?” murmured Will, with the stir of adventure
and brandy in his veins.
“Pooh! What’s in a name? A nose by any other name would swell as red.”
And, laughing, he clapped Will on the shoulder. “We’ll spruce up the
tent too, and slick up the caravan—a dingy old hearse ain’t the best
advertisement on a tour. And why shouldn’t you take some of the parts?
Pity to waste your twang. We’d get some American figures made—cowboys
and slave-dealers and such—and spice our ghosts and goblins with
Colonel Bowie knives and Yankee yumour. We might even turn the
bridegroom in _The Mistletoe Bough_ into a rich New-Yorker, and make the
bride moulder away in an American trunk. There’s a fortune in it. I
don’t mean in the trunk—ha, ha, ha!”
With a last instinct of sanity Will observed maliciously that it was
Sunday. He merely meant to remind Tony that that was his day for truth.
But the Showman’s glass nearly fell from his fingers.
“You too!” he said. “And that Jinny—as lively a girl as ever stepped.
And Mother Gander—as buxom a landlady as ever bussed a bagman. What’s
come over the East Anglian circuit? And I took you for a man of the
world.”
Unwilling to repudiate that status, Will remarked flabbily that
precisely as a man of the world he didn’t see any money in marionettes.
“No money!” Mr. Flippance swelled with indignation as he pointed out
that Drury Lane and the mines of Golconda were not in it with
marionettes, properly equipped and spring-cleaned; the public was simply
panting for high-class puppets.
It goaded Will to emphasize his meaning. “Is this your Sunday talk or
your week-day talk?” he interrupted dryly. “Didn’t you just tell me that
you’re doing badly?”
Mr. Flippance admitted it almost without a wince. And had he not given
the reason? To take money out you must put money in. “I tell you there’s
a fortune in it,” he repeated.
“Sunk?” asked Will blandly. He added vengefully that he would consider a
partnership when the stuffed elephant came home from the Crystal Palace.
Tony, in crimson comprehension, rushed at the litter on the spare chair
and dragged out a newspaper from under the neckties. “Read that!” he
said sublimely, “the _Essex County Chronicle_!” And his semi-gilded
forefinger indicated a heavily blued passage. “Our readers will be
interested to know,” read Will, “that it is a local showman who supplied
the great stuffed elephant that holds Her Majesty’s gorgeous howdah in
Mr. Paxton’s marvellous glass——”
He dropped the paper. “I beg your pardon!” he said, too disconcerted to
realize that the “local” showman need not necessarily be Tony Flip. “But
I really would rather not talk business to-day, and I don’t know
anything about yours—that wasn’t my line in the States. I never even
saw a puppet-show in my life, outside Punch and Judy. A real live drama
now——” he concluded vaguely, meaning that he had at least seen real
plays, and utterly unforeseeing the effect the remark would have upon
his host.
Public-domain text, read in full here on John Shaqi.
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